The Bug Girl: Maria Merian’s Scientific Vision 
​by Sarah Glenn Marsh ill Filippo Vanzo

The Bug Girl: Maria Merian's Scientific Vision by Sarah Glenn Marsh introduces readers to a girl who began her life's work at a young age. Marsh chronicles Maria's early interest in butterflies: observing the winged insects' life cycle, experimenting with their eating preferences, and documenting her findings with drawings.   By the time she was thirteen years old she had disproved the prevailing notion of spontaneous generation. An impressive accomplishment! Maria Merian's fascination with insects and other forms of life continued throughout her life. In her later years she continued her research, traveling to Suriname ​with her daughter. The narrative introduces the scientific terms spontaneous generation and metamorphosis. An Author's Note adds historical context, referencing Galileo, Peter the Great, and the role of women in seventeen century Europe.

Flilppo Vanzo's illustrations feature close-ups that highlight young Maria's face filled with wonder.

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Young Entomologists

For two decades Laurie Halse Anderson has been speaking out, giving voice to teens who have experienced horrific trauma. Speak has brought the shame and humiliation experienced by rape victims out of the dark recesses of suppressed memory. Acknowledging the suffering, the rage. Initiating the first steps to healing. In my early years as a youth librarian, Speak was constantly requested, always checked out. The story is as relevant to a fourteen-year-year-old girl from a small Texas town in 2000 as it is to a teen living in urban New York in 2019.

Speak by Laurie Halse Anderson It all started in 1999. Laurie Halse Anderson published her first book: a ground-breaking young adult novel chronicling the story of fifteen-year-old Melinda Sordino. Beginning her freshman year, this young student is ostracized by her former friends and classmates. She is singled out at a school pep rally for calling the police at a summer party. What Melinda cannot say is that she was raped at that party. School becomes unbearable. She is constantly confronted with the shame and agony of that night, as the boy who raped her is a student at her school. Shunned by her friends,

Speak: The Graphic Novel ​by Laurie Halse Anderson ill by Emily Carroll Publishing a graphic novel version of Speak is both an obvious choice and a brilliant decision. This visceral narrative translates to striking visual imagery. Anderson chooses to update the original story, including references to cell phones and Instagram. This gives the narrative a fresh, contemporary vibe. Her Author's Note serves as an introduction. A helpful list of organizations which support victims of sexual assault contains descriptions and contact information can be found in the back matter.

Shout by Laurie Halse Anderson Told primarily in verse, this memoir covers a wide range of events and emotions. Part One shares moments from Laurie’s difficult and conflicted childhood, her rape at age thirteen and subsequent reliance on drugs to mask the anguish, the slow ascent from depression during tenth grade, her year as a foreign exchange student in Denmark, and her foray into writing for teens. Part Two explores the publication of Speak and the impact it has had on her and a world-wide audience. Part Three returns to recurring symbols and themes: trees, blood, family, and stories. She acknowledges her parents’ personal troubles, but is willing to maintain a relationship with each. What a generous heart!

Bonus: Additional Resources

Since my early draft of this post, a twentieth anniversary edition of Speak​ has been released. It includes a new introduction by Ashley C. Ford as well as an afterword by Jason Reynolds. This edition also features an updated Q&A, resource list, an essay, and poem by Anderson. I look forward to reading this updated edition. I’ve Talked With Teenage Boys About Sexual Assault for 20 Years. ​This Is What They Still Don’t Know  Laurie Halse Anderson Time January 15, 2019

Laurie reads "Me,Too" from Shout. Laurie reads "Listen" from the 20th edition of Speak.

Under Water by J. L. Powers

After the death of her beloved grandmother, seventeen-year-old Khosi and her nine-year-old sister Zi must face the world alone. Her aunt, accusing Khosi of witchcraft, has stripped the girls’ family home of its contents. They have only mattresses, a cracked plastic chair, and an ancient T.V. Working as a sangoma, a traditional Zulu healer, Khosi abandons her studies in order to support herself and her sister. This should have been her last year of school prior to university. She wanted to study nursing, practicing modern medicine along with traditional healing. Circumstances impel her to break the two promises she made to her grandmother: that she would complete her schooling and that she would not get seriously involved with her longtime boyfriend, Little Man. Tensions rise when her boyfriend becomes enmeshed in the local tsotsi's (gangster) taxi war and the body of a murdered Somali shop owner is left on her property. Destitute, pregnant with Little Man's child, her home destroyed by fire, Khosi knows that she must take her sister and flee.

"What do you suppose Gogo is doing right now on the other side?" Zi asks.
I shake my head. I don't have to suppose. I already know. "She and the other amadlozi are sitting around gossiping about the funeral," I say. "Gogo is laughing about how many people came for a free meal, people who never visited when she was alive."
Zi shakes her head. "That isn't funny,"
...
​"The things that matter to us when we are alive are not so important when we are dead," I say. "Gogo is glad they had a good meal. And she's touched by how many of them brought money to give to us."

Getting Acquainted with South Africa

Introduce students to the history and culture of South Africa and the Zulu People. These resources may serve as a starting point for further exploration.

Hands Up! by Breanna J. McDaniel ill Shane W. Evans

Breanna J. McDaniel takes an expression laden with negative connotations and turns it inside out and right-side up. Each page is filled with positive, self-affirming actions with Hands Up! Meet a little charmer as she lifts her tiny hands to the sun, plays peek-a-boo, and helps get ready for the day. Time passes. Now school age, she reaches up for a book high on the shelf, jumps to grab the basketball, and raises her arms in worshipful praise. There are moments when hands are extended to help her when she falls. The book concludes with a tribute to the power of raising consciousness through hands holding signs of peaceful protest. ​We begin small, but we grow big.  Together we are mighty. High fives all around, hands up!

Dynamic Duo

Together Diggs and Evans have created picture books joyfully celebrating children of color.

Raise Your Hands. Raise Your Voice.

Fearless Mary:
The True Adventures of Mary Fields, American Stagecoach Driver
by Tami Charles ill Claire Almon

Mary Fields was a stagecoach driver in Montana during the 1890's. Her story is fascinating. This former slave defied racial, gender, and age-related prejudice, serving as a mail carrier to Saint Peter's Mission. She successfully took on what was considered "man's work." Being "first" is hard. Not everyone likes the idea of a woman driving a stagecoach. Tami Charles weaves together incidents from Field's life to create a compelling tale: protecting mail from thieves, unleashing her trained eagle on would-be marauders, standing guard overnight to save her cargo from a pack of wolves. Remarkably, during her eight years of mail delivery she never lost a horse or a package.

Meet Mary Fields

Mary Fields, also known as Stagecoach Mary, is a dynamic individual. While much of her life is unknown, a few documents survive which chronicle her personal history. Charles limits the book's narrative to Fields’ years as a contract driver. She softens her portrayal of Mary, referring to her rifle as an "iron weapon." It is seen only in shadow on her back.

Photos and biographical information History Stories website.

From Twinkle, With Love by Sandhya Menon

Twinkle feels that she is a "nobody." Ignored by her parents, she longs to be noticed at school. An opportunity to shine comes when Twinkle is asked to direct a movie for the local arts festival.  Film geek Sahil has offered to help produce her filmmaking debut. They brainstorm an imaginative story concept, turning the classic Dracula into a gender-reversal version. But Sahil clearly wants more than just a business relationship. Twinkle has an ongoing crush on Sahil's athletic superstar twin brother Neil. When she begins receiving anonymous emails from a secret admirer, Twinkle assumes (hopes) that the sender is Neil. Menon uses a series of imaginary emails that Twinkle sends to famous women of filmdom in this story of finding where one's heart lies.

Rain is Not My Indian Name by Cynthia Leitich Smith

​Fourteen-year-old Cassidy Rain Berghoff, still mourning the death of her best friend, agrees to photograph the local newspaper's story of this summer's Indian Camp, organized by her Aunt Georgia. Prominent members of this mostly white Kansas community protest the use of public funds for Indian Camp. Rain's heritage includes Muscogee Creek-Cherokee, Scots-Irish and Irish-German-Ojibway.  Her mother refers to the loving, close-knit family as her "patchwork tribe."  ​After introductory pages detailing her friend's  tragic death, readers follow Rain's  chronological description of nine days: June 26 to July 4.  Smith begins each chapter with a journal excerpt which gives the narrative intimacy and poignancy. ​​Rain uses her camera to help her face the world after her heartbreaking loss, acknowledge her heritage, and bring closure and peace to her heart.

Photographic: The Life of Graciela Iturbide
​by Isabel Quintero ill Zeke Peña

Quintero and Peña employ a mixed media approach to this biographical graphic novel illuminating the life and work of  Graciela Iturbide.  The pastiche of eloquent text, artfully arranged sequential panels, and photographs blend together seamlessly. Quintero's glorious text is rich with layers of meaning. Peña's realistic line drawings combined with black and white photographs and artful panel and page design provide a stellar reading experience. This biography is much more than a chronology.  It is a celebration of art, creation, and culture.  "I photograph and exist in the in-between: those spaces where unknown worlds, real and imagined intersect."