Just Ask!: Be Different, Be Brave, Be You
​by Sonia Sotomayor ill by Rafael López

Sotomayor has penned a thoughtful picture book, exploring and celebrating differences.  She introduces the concept with a garden analogy. Sonia and her friends are planting a garden filled with an assortment of plants. Some produce flowers, others fruit. They have a range of characteristics and respond to different types of growing conditions. Like plants, each person is unique, possessing a variety of distinguishing attributes. Subsequent pages introduce children with distinctive characteristics and circumstances. Beginning with Sonia's diabetes, individual children are introduced who live with  asthma, dyslexia, autism, Tourette's syndrome, attention deficit/hyperactivity, food allergies, and Down Syndrome as well as those needing assistance with mobility, vision, hearing, or speech. Each child is a individual with a name and special personality. Each one experiences a challenge.

Images radiate joy. Children with disabilities are not pitied.  They are resourceful, productive people. The world is a better and happier place because of these youngsters. Just Ask!: Be Different, Be Brave, Be You is a cheerful and encouraging picture book to share with children everywhere, helping them to understand and appreciate differences. In her introductory letter Sonia Sotomayor describes living with juvenile diabetes. She relates her feeling that others perceived her need to inoculate herself with insulin as wrong. She wants to dispel this false notion. This book will be an important and welcome addition to home, school, public, and classroom libraries. It can be placed in nurse, doctor, therapist, and other health care provider offices. Consider adding this book to after-school programs, community and church youth centers. The message is universal. ​

Also available in Spanish and audio editions.  Respect the learning styles for a variety of children by ordering copies in all three formats.

Sonia finds a quiet moment to rest among the flowers to administer her insulin.

Rafael adorns the garden with beautifully painted rocks. He keeps his inhaler handy.

Rafael López Picture Books

The Okay Witch by Emma Steinkellner

It’s Halloween and thirteen-year-old Moth Hush has given a lot of thought to the costume that she will wear to school. She decides that she will definitely ​be a witch. Black dress. Pointed hat. Nothing unusual about that. ​The girl who doesn't fit in decides that a traditional Halloween costume is a great way to assimilate. Maybe not. ​While trying to help the new kid in school, she discovers that she has extraordinary powers. Her mother confirms that she is, in fact, a witch. Moth learns that she comes from a long line of witches, both her mother and maternal grandmother are witches. I’m a witch... Everything finally DOES make sense. I always thought I was just weird. Local lore tells of a witch colony that disappeared centuries ago. Each year students reenact the story. In a strange twist of fate, Moth the costume assistant and her friend Charlie assume the roles of their ancestors in the production. Will they follow the script, or will they choose to reject the town’s traditional witch mythology and create a new reality?

This wide-eyed thirteen-year-old navigates the perilous life of middle school while simultaneously exploring Hecate, a witch’s realm existing in a parallel universe. It's new and exciting but strange and frightening. When history collides with the present, old wounds are reopened and past injustices exposed. Three generations of witches. ​Three manifestations of Hecate: maiden, mother, crone. Three different perspectives on the practice of witchcraft. Mothers try to protect daughters. Daughters seek to break away and create a new life. Who is right? Magic is an integral story element. Moth explores the past by jumping into her mother’s diary with a cat who is the reincarnation of a family friend and benefactor. Moth's mother, who appears ageless, reveals that she was born in 1675. Mommy looks a lot younger than she actually is. And it's not just because she moisturizes regularly.

Why by Laura Vaccaro Seeger

​Why?  Why?  Why?

Why? ​Is there an adult who has not been on the receiving end of the one-word question that is frequently posited by youngsters? Vaccaro Seeger considers a youngster’s desire to understand the world by asking incessant questions.This picture book breaks with the conventional querying child trope, taking an unexpected story path. Title page features a frisky young bunny, scampering after a lumbering old bear. Successive pages follow the rabbit as it observes the bear engaging in simple activities: watering flowers, viewing the stars, stopping for a snack. Always rabbit asks "Why?' The massive friend patiently responds to each query with a gentle explanation. Time passes. Seasons change. The questions persist.

Just Asking

The Good Thieves by Katherine Rundell

Nobody can fashion a tale quite like master story-spinner Katherine Rundell. ​ ​Her previous books have taken her readers to Africa, Paris, Russia, and the Amazon rainforest. Now she turns her considerable storytelling skills to North America. The Good Thieves is set in New York City during the 1920’s, an era of speakeasies and bootleg liquor. It was a time rife with crime and corruption, when mob bosses could shamelessly pay their way into influencing government officials. Much of the action takes place at familiar city landmarks: Central Park, Plaza Hotel, Main Library, subway, the Bowery. Vita and her mother travel to America to rescue her grandfather. Due to a fraudulent scheme perpetuated by crime lord Victor Sorrotore, Grandfather has lost the family home, a magnificent old castle. The swindle has left him destitute.

Meet the Author

More Magical Storytelling

A Likkle Miss Lou:
​How Jamaican Poet Louise Bennett Coverley Found Her Voice
by Nadia L. Hohn ill by Eugenie Fernandes

A picture book brimming with poetry, rhythms, and song, A Likkle Miss Lou: How Jamaican Poet Louise Bennett Coverley Found Her Voice introduces young readers to the early years of a native poet and performance artist.  Nadia L. Hohn describes Louise's fascination with the speech she that was an integral part of her daily life. Jamaican patois, an English-based creole language with a West African influence is spoken by the most Jamaicans. At school, she was required to restrict her language to what was considered "proper" English. Louise was reprimanded by her teacher when she included words and phrases from Jamaican dialect in her assignments. ​Fortunately, she became a student at Excelsior College, where acceptance and appreciation for her native tongue was encouraged. ​Hohn's narrative is rich and colorful. She captures the flavor and cadence of the language in this sumptuous feast of poetic expression.

Fernandes' illustrations tell their own tale. Louise's face moves from doubt and discouragement to wonder and joy. The animated faces of her classmates and native storytellers feature a variety of warm shades of brown. Back matter includes an extensive Note from the Author with details on the life and works of Coverley. Hohn describes her own introduction to the works of this poet. A glossary, with photos of peanut drops and water crackers, is helpful. References contains a citation list.

Spread out youself deh, Liza. Dress ooman a come.

Guts by Raina Telgemeier

Uber-talented Raina Telgemeier has done it again. She has created a companion volume to her endearing and enduring classics Smile and Sisters. Guts is also autobiographical. It recounts Telgemeier’s bouts with stress and the mental, social, and emotional costs of anxiety. This may be her most personal book to date, detailing her childhood panic attacks, phobias, and anxiety. She opens up about the distress that she experienced and her body's responses to these fears. ​ Beginning in the fourth grade, Raina begins worrying about vomiting, an experience that assaults all of the senses: sight, sound, taste, and smell. The possibility of throwing up, even hearing the word vomit becomes a trigger, sending her to the bathroom. ​Stress-provoking factors multiply. They include crowded living conditions, fear of speaking in public, the possibility of contracting the flu, and eating contaminated food. The result: this young girl spends her days and nights in a state of continual turmoil.

Raina brilliantly uses the graphic novel format to tell her story. She knows when to over-fill a panel or page with people and actions, reinforcing her suffocating claustrophic feelings. Panel placement is an integral part of the story, at times horizontal bands move from the top of the bottom of the page.  Full page panels set the scene and provide important background information.  A full page is a significant statement which invites readers to pause. One of my favorites is the full-page image of her sneakers.  As readers pause to consider what it feels like to look down at shoes and become "grounded" they can experience the value of this technique. Facial expressions and body language are a hallmark of her work. She effectively captures fear, frustration, and eventually, self-confidence. Panels which are predominantly green signal her moments of extreme distress. A swirling mass of worry and doubt encircle Raina in various shades of green.

​ ​Thanks Raina. It takes courage to relive painful childhood experiences. It takes talent to accurately record your experiences in comic format. It takes empathy to share your journey through dark moments with young readers. It takes intention to seek help through therapy. You are a woman of courage, talent, empathy, and guts. Readers are fortunate that their beloved author has shared her story. Thank you.

Telgemeier Treasures

Each Tiny Spark by Pablo Cartaya

Emilia Rosa is juggling a plethora of problems. Let's start with family. Dad, a Marine who was deployed during most of of her childhood, returns home. He seems to be a different person from the father she remembers. Mami, who keeps Emilia focused and organized, will be away on an extended business trip. Abuela, her maternal grandmother has definite notions about Emilia’s life, including the need for a quinceañera. This is something she emphatically does not want. Sixth grade is a struggle. Not because she isn't intelligent, but because she processes stimuli in a different way. She needs time and individual attention in order to complete her homework. Some school assignments are difficult to untangle without guidance from her mother.The noises associated with school rallies in the gym are a horrific assault on her senses.

More stories from Pablo Cartaya

Sing a Song: How “Lift Every Voice and Sing" Inspired Generations
​by Kelly Starling Lyons ill by Keith Mallett

It is a common occurrence for me to cry when I finish reading a book, it is uncommon for my heart to swell and tears begin to spill down my cheeks from the very first page. Sing a Song: "How Lift Every Voice and Sing" Inspired Generations had me instantly reaching for tissues. Kelly Starling Lyons has penned a soul-stirring recital of the Black National Anthem's story. Inspired by her family's history, she traces the song through five generations. Beginning with a birthday celebration of Abraham Lincoln, the anthem is an integral part of the family. The music journeys with the family through the Great Migration, World War II, the Civil Rights Movement and culminates with opening of the National Museum of African American History.

Sing Along

Looking for More Inspiration? Try these books

Lunar Landing July 20, 1969

Go for the Moon: A Rocket, A Boy, and the First Moon Landing by Chris Gall From childhood, Chris Gall has always been fascinated with rockets and space exploration. Go for the Moon: A Rocket, A Boy, and the First Moon Landing chronicles the parallel stories of the Apollo 11 launch and a young boy’s attempt to replicate the event on a personal and considerably smaller scale. His rocket is a water rocket that he transports via a little red wagon. He builds a lunar module from cardboard boxes and climbs inside. He and his brother replicate the difficulty of precisely reaching the moon with a soccer ball and a stone. Gorgeously illustrated and chock full of fascinating facts, the generous trim size invites readers to experience the Apollo11 mission from a kid’s point of view. Grab a glass of Tang and share in the adventure. ​Copy provided by publisher ​Pub date: June 11, 2019 Publisher: Roaring Brook Press ISBN: 978-1250155795 Rocket to the Moon!:  ​Big Ideas That Changed the World ​by Don Brown Big Ideas That Changed the World, a series created by Don Brown, "celebrates the hard-won succession of ideas that ultimately remade the world." Rocket to the Moon! is the first book in Don Brown's Big Ideas That Changed the World series This volume recounts the history and development of rockets. ​A substantial portion of the book is devoted to the United States' space exploration, including the "space race" with Russia. The narrative culminates with the successful Apollo 11 lunar landing. ​Line drawings, and link wash are clean and straightforward, moving the narrative along. The full-page panel of the moon's surface appropriately gives readers pause. Pacing shows the module’s slow descent to the Sea of Tranquility with a series of jagged-edge panels. Horizontal panels zoom in on one footstep as it descends the ladder to the moon's surface.

T-Minus: ​The Race to the Moon by Jim Ottaviani ill Zonder Cannon Kevin Cannon Jim Ottaviani’s fictionalized retelling of the race between the USA and the USSR to reach the moon is a gripping, emotionally charged saga. T-Minus: The Race to the Moon chronicles the development of space exploration and the back stories of key players such as Robert Goddard and Sergei Korolev. The failures, successes, political intrigue come to a climax when Apollo 11 reaches its destination and NASA's astronaut takes the first steps on the moon. Hard to put down. Read the author’s notes for information on his storytelling process as well as suggested bibliography. Inventive placement of rockets which break out of rigid panel frames and span the entire vertical space is noteworthy. The black and white line art is well-suited to the subject matter. Public library copy. ​Pub date: May 9, 2009 Publisher: Adallin ISBN: 978-1416949602 Countdown: ​2979 Days to the Moon  by Suzanne Slade ill Thomas Gonzales Countdown: 2979 Days to the Moon chronicles events leading up to and concluding with the first lunar landing on July 20, 1969. The narrative begins with the challenge uttered by President John F. Kennedy in May 1961. ​Suzanne Slade, a mechanical engineer who worked on several space projects including the development of Saturn V rocket, is well qualified to write this superlative work of nonfiction. Her lyrical text vivifies the marvel of space exploration. The free verse is accompanied by direct quotations, systematically describing each of the eleven Apollo missions. ​Gonzalez' paintings are enhanced with infographic spreads located between chapters. Generous trim size (10.3" x 11") while accessible and easy to handle, gives added emphasis to the grandeur of this achievement. The book's text, with clear clean font is thoughtful placed, awarding the narrative added significance. For contrast, pages describing the Apollo 8 expedition as it moves to the far side of the moon are black with striking white text. ​

Video Resources

Field Trip

All the Greys on Greene Street by Laura Tucker

Olympia lives in a world of artists: her mother a painter turned sculptor, her father an art restorer, and her father's studiomate Apollo. She enjoys assisting Apollo with grinding pigments and mixing his own paints. She too is an artist. But her medium is the Blackwing 602 pencil. She works strictly in black, white, and grey.  When events force her to temporarily give up sketching, she turns to watercolor. Her experiments with this medium reminded me of my early forays into the magic of pigments mixed with water and then applied to pristine white paper. I unearthed some of my childhood watercolors and paired them with some of Olympia's observations on color, art, and life.

"...a wash of blues...so deep and rich that looking at them made you feel like you were learning something." "Apollo mixes colors for his own paintings too, which is why they're so beautiful they make your chest hurt."

"It's not the worst thing, is it? To celebrate the extraordinary in the ordinary?" "It was a relief to let things be a little blurry. I liked how forgiving watercolor was, how easy it was to pretend that you hadn't made a mistake."

"but there were hundreds of blues in there that I had no words for, smoky purples and faded teals, colors even Apollo might not have known the names for." " learned that if I held the brush at the very end...and made a lazy stroke with my whole arm, I could lay down a luxurious swath of color."

"Dried gamboge doesn't look like much-just another sticky, ugly brown rock. But put a drop of water on it, and that rock will weep a tear so brightly yellow it will hurt your eyes." "They turn difficult things into beautiful ones. They're the artists. And that's what you are."