Meet a most unlikely pair. Gnu and Shrew sit together on the banks of a crocodile infested river. Gnu shares a secret with his friend: a cave filled with diamonds is on the other side of this very wide and deep river. Gnu dreams of someday obtaining the diamonds. With wealth from these gems he could get his own Ferris wheel or perhaps a golden bicycle.
As he imagines the possibilities, the bespectacled Shrew sets to work, figuring out how to cross the river. Gnu’s musings spark Shrew's thought processes. For example a revolving wheel has a possible practical application for a paddleboat design.

It will come as no surprise that Shrew's skill and hard work pay off.  He obtains the diamonds and sets off to travel around the world. Success is his.
But what will become of Gnu? Schmitzlein gives this tale of perseverance and friendship a happy ending. The final page offers a hint to the happily-ever-after for this twosome. Hurrah for Gnu and Shrew. ​

A word about the illustrations. Sandu restricts the main color palette to deep yellow and complementary turquoise This color scheme accents the contrasting natures of the two protagonists. The cover features Gnu dreamily gazing at a butterfly while Shrew, tongue sticking out, is concentrating on the workings of a lightbulb. However, the animals are not drawn to scale. Similar sizes suggest that each character is equally important.

Meet the gnu. This member of the antelope family is native to Africa. The horned animals with shaggy manes and tails are very strong and can run up to 50 miles per hour. Their main predators include lions, hyenas, leopards, cheetahs, and crocodiles. Often gnus that attempt to cross a river are attacked and eaten by crocodiles. The gnu is also known as a wildebeest.

Note: The "g" is not voiced. It might be interesting to discover other words that begin with "gn." Hint: gnat, gnome and gnaw are three common words.

Shrews are tiny mole-like animals with long noses and very sharp, spiky teeth. They have small eyes and cannot see well but have excellent senses of hearing and smell. They are very active and need to eat constantly. A shrew can consume from one half to two times its body weight each day! Shrews are venomous. The venom is stored within grooves in the shrew's teeth.
There are 385 different species of shrews. They can be found throughout the world.

What new dreams might be imagined? What dedicated individuals will make those dreams a reality?

In serious contention for Best Children’s Book Title of the Year is Donut Feed the Squirrels. The title's clever play on words and adorable characters featured on the cover are instant attention-getters. Song eschews drawing anatomically accurate squirrels. Instead her art perfectly captures the essence of Norma with her tiny heart-shaped nose and Belly's rosy cheeks and gumdrop-shaped body.
​These little charmers are in search of breakfast. When their pancakes are burned, the pair are intrigued by the tantalizing aroma from a nearby food truck. They discover a fantastic treat: donuts!

The squirrels are determined to get donuts for everyone. Fortunately the proprietor of the mobile donutmobile briefly steps away from his truck. The enterprising duo have eight minutes to get in, get a sackful of donuts, and get out. There is a major complication. With a plot element that is an homage to the classic Homer Price doughnut machine fiasco, there is an equipment failure. Production is out of control. The shop rapidly becomes a doughy disaster.

The art is a prime example that less can indeed be more. Simple, effective brush strokes allow the readers to add their own subtext to the tale. Limited color palette and soft pastel colors keep the focus on the squirrels.

The pictorial foreshadowing is ingeniously positioned throughout the story. Readers should pay close attention to all the visual cues. They will show up later in the narrative.

Norma and Belly’s exploits are a delicious treat. More squirrelly adventures please.

My first impulse while reading Skunk and Badger: I really want to invite Amy Timberlake to tea. I imagine a delightful afternoon, chatting with someone who conjures up a tale of a peculiar little Badger, living in Aunt Lula’s brownstone and devoting his days to Important Rock Work. This fastidious fellow is in for the shock of his life when Aunt Lula also invites Skunk to live in the brownstone. Skunk’s lifestyle is decidedly different from Badger's. He loves to cook, concocting scrumptious meals, but leaves washing the dishes to Badger. A gregarious fellow, he wants to chat while Badger is accustomed to hours of quiet devotion to his rocks. The ultimate test of the roommates’ compatibility is chickens. Skunk invites an astonishing number to their home. The brownstone is filled with incessant bocking and feathers scattered everywhere. Inevitably there is skunk spray. That the conflict will be resolved is never in doubt. It’s how the pair will iron out their differences that will keep readers engaged. ​

​The trailer offers a sneak peek at Klassen's signature style black and white illustrations. He captures the character of these two often maligned mammals with wit and charm. Look at that grin on Skunk's face! Another reason to love this tale.

Come on over.  I'll put the kettle on, and we'll have great fun getting acquainted with Skunk and Badger.

Drew loves to draw. Pencil in hand, she has created her own collection of doodles, an assortment of charming and often mischievous characters who dwell in her imaginary world.
Drew shares her passion for drawing with other students in the school’s Art Club. Their advisor plans a field trip to the local art museum. This expedition will serve as inspiration for an upcoming project: create a superhero world.

There is one complication. Drew has discovered that her doodles can escape the pages of her sketchbook and travel into the “real world.” At the museum, her creations Jump off the paper and wildly explore the art displays, absconding with a hat featured in one of the paintings.

Although Drew manages to collect all her runaway doodles plus an additional purloined hat, it is apparent that her creations are out of control. They begin to inhabit the drawings of her fellow students, leaving a trail of destruction in their wake.

Drew’s father helps her understand that her creations are a part of her and that the Leviathan is an extension of the darkness that she sometimes feels. Once she acknowledges the duality of emotions she possesses, Drew is empowered to formulate a plan of action that benefits her fellow artists, the doodles, and even Levi. This leads to an inventive and satisfying conclusion.

Sell’s art cleverly delineates the black and white one-dimensional world of Doodleville and Drew’s fully realized colorful world. The blending of the two worlds is masterful.

It begins with dragonflies. Dragonflies flitting everywhere in a sultry Louisiana town.
Kingston James, known as King, has become fixated with dragonflies. There’s a reason for his obsession. After his older brother Khalid suddenly and tragically dies, King is convinced that his brother has morphed into a dragonfly. Whenever he sees one of these large-eyed iridescent insects he feels that Khalid is nearby.

Callender tells a compelling story of grief and the oppressive burden that death places on a family. The loss of his brother has cast a pall over King’s home. Familiar family routines have been set aside. There is now an empty place at the table. The family dynamic is fractured.

One of the few constants for King is Sandy Sanders. Sandy is the friend he can confide in, can talk with about things that really matter. The two friends share a love for anime and manga, spending spend hours sketching characters and discussing their favorite stories.
To please his brother, King has severed this treasured friendship because Sandy is gay. Khalid convinced King that he should not associate with gays.

Through a series of letters to her sister, Esther describes her life in this new country. Her correspondence is infused with sensory descriptions: luscious tropical fruit, beautiful countryside, eloquent Spanish language, and the poetry of José Matí. ​She tells of heartbreaking setbacks and small triumphs.

Allie Abraham works on blending in. A Circassian with reddish-blond hair and hazel eyes, it is easy for this sixteen-year-old cheerleader, academic standout, and school choir member to ignore her Muslim heritage. Allie's non-practicing Muslim father believes that this will protect her from discrimination.
However, Allie is drawn to the culture and religion of her grandmother. She wants to learn Arabic, study the Qur'an, begin a habit of regular prayer, and dress modestly. She meets with a group of forward-thinking Muslim young women who practice their faith in modern America. She's an All-American Muslim Girl.
Publicly acknowledging her heritage is a challenge. She hides her newfound interest in Islam from her father, walks a fine line with her boyfriend whose father is a well-known and bigoted news personality. She deals with classmates who mock her faith and other Muslims who condemn her for not being Muslim enough. What to do?

​This collection of short stories paints miniature portraits of an assemblage of Eid-al-Fitr celebrations. While the practice of faith varies within the Muslim community, each unique Eid observance is memorable.
The anthology contains lighthearted as well as poignant glimpses into the culminating observance of Ramadan with descriptions of private prayer, public celebrations, distinctive clothing, special food, and gifts. Readers meet a recent convert to Islam who fasts and samples spicy fare for the first time. For others Eid is bittersweet, reviewing celebrations from years past and remembering absent family members. ​ Some stories follow the journey to be with family: taking the subway to the Bronx or sitting in the car’s back seat with siblings while traveling to Sydney, Australia. I loved the descriptions of clothing: choosing to wear a hajib for the first time or fashioning a unique gown from a thrift store purchase.

A possible solution presents itself. Jude loves theater and movies. She learns that the school is staging a production of Beauty and the Beast. Summoning her courage, she auditions for a part in this fairy-tale musical. Can a girl from Syria can make it onto the stage in Ohio?

When times are tough, when days are dark, when "normal" is a fleeting memory, some may wonder if there is anything that will bring a bit of cheer to world weary souls. The answer is yes. Baloney and Friends is here to dispel some of life’s hopelessness.

This collection of graphic novel shorts begins with the introduction of four slightly zany cartoon characters. Readers meet Baloney, the pig and star of the book. He is joined by friends Peanut D. Horse, Biz E. Bee, and Krabbit a rabbit. Krabbit lives up to his name often responding with a sarcastic “whatever."

Readers are treated to a selection of stories interspersed with mini comics. Follow Baloney as he entertains his friends with tricks which may or may not be magical. The gentle humor continues as he struggles with fear of the unknown and feelings of sadness. Pizzoli has created a winsome collection of tales with precisely the right amount of snark.

Mia and Ben are best of friends. Inseparable, the duo can frequently be found designing and flying their own paper planes.
When Ben's family moves far away, the two are worried about the fate of their friendship. The distance between the two seems insurmountable. Then a small but remarkable thing happens. One smashed air ship and and a plane lacking wings bring the two together, joining forces to solve a problem. The challenge to construct a flight-worthy aircraft unites Mia and Ben. They also work out the challenge of their geographical separation with paper. Intricately folded paper.

With slightly greyish hues Jones' color palette has a muted quality that captures a sense of loneliness. The wide expanse of sky emphasizes the distance separating Mia and Ben. Images of flight emerge throughout the pages: geese soaring through the air, an airplane making dizzying dives in the skies, and boats gliding across the water.

Established author Cynthia L. Copeland’s first graphic novel sparkles with wit and warmth.

​Twelve-year -old Cindy navigates a tightrope of middle school complexities: shifting alliances among the microcosm of students, moving from platonic relationships to the first stirrings of romantic interest, and a growing awareness of the world beyond junior high school.

Divided into the three seasons of the school year, Cub introduces fresh-faced and free-wheeling Cindy entering seventh-grade. An individualist, she's not part of the vicious circle who take pleasure in taunting other students. She copes by appearing "dead," that is invisible and unresponsive to personal attacks.