The beast's appetite has increased over time. Where once a tasty morsel satisfied, sacrificial offerings are currently demanded. First it was small animals but now the beast wants a child. Tweezer realizes that he is crossing into territory that strains his sense of morality. He rationalizes that if he can find a truly despicable youngster the world will be rid of one nasty human. That's not so bad, is it?

His search for a suitable child eventually leads him to an orphanage run by the loathsome Miss Fizzlewick. There he meets Bethany, an obstinate and obnoxious girl who alienates everyone she comes in contact with.  She will be the perfect meal.

But this is a redemptive tale and as Ebenezer waits for his prospective meal to get fatter, he begins to enjoy spending time with his charge. Bethany, a girl that is determined to antagonize everyone, starts to care about others in small meaningful ways. Eventually Tweezer divulges the Beast's ultimate objective. The two devise a plan to save Bethany from becoming a beast feast.

Like Roald Dahl books, The Beast and the Bethany features a revolting child (think Veruca Salt), an authority figure who delights in making children miserable (think Miss Trunchbull), and outrageous quantities of chocolate cake. 

Boundaries between the dead and the undead, dreams and reality, animals and humans are all fluid.

Ellie has the extraordinary ability to bring back the dead. Her truest companion is her dog Kirby who died five years ago. After his death, she reached into the underworld for her beloved canine and returned him to her world. Now he usually manifests himself as a shimmering transparency which Ellie and some others can see.

​Seventeen-year-old Ellie, an Apache Lipan, has inherited her Six-Great-Grandmother’s capacity to travel to the land Below where ghosts and monsters dwell. 
​Named Elatsoe in honor of her legendary ancestor Six-Great, Ellie continues the matriarchal task of protecting her family and close friends.

But there are rules. Do not speak the deceased’s name or view an image of a departed individual. While she may return animals to the world of the living, she is not to bring people back from the land Below.

​The dynamic duo Metaphrog have created a creeptastic reimagining of Bluebeard. Award-winning co-creators John Chalmers and Sandra Marrs have cast this traditional French folktale as a fantasy feminist story. Readers meet a girl who doesn’t wait to be rescued. She rescues herself.
Here’s how it happens:

Eve and her family live near an enchanted forest. Beyond the forest atop a high mountain is the castle of Count Bluebeard.

Eve's idyllic life with her family and her best friend Tom is disrupted when strange things begin to happen near the forest. Animals disappear. ​People can be trapped in the masses of dense vegetation. No one dares to enter this sinister wood.

After Eve reaches her eighteenth year, Bluebeard decides to select a bride from among the townsfolk. With a roll of the dice, Eve is selected to become his wife and live with him on the mountaintop. Following the marriage ceremony he takes her to his imposing, opulently furnished castle. Eve notices a long corridor leading to countless rooms. At the end of an extended hallway is a door opened only with a special golden key.

When Bluebeard leaves on urgent business he presents Eve with a ring of keys giving her access to all rooms in the castle. ​She is explicitly warned to never enter the door unlocked with the golden key. Alone and anxious, Eve roams throughout the castle, going from room to room.

Bluebeard returns to his home and finds that Eve has discovered the bodies of his murdered wives. In an intense climactic scene, Eve struggles to save her sister. Not waiting for Tom and her brothers, she courageously takes matters into her own hands, finishing off the count and setting both girls free.

Tension escalates with a series of panels that depict Eve gazing up a dizzying spiral staircase while Bluebeard stealthily inches nearer. Close-ups of razor-sharp teeth and talon-like extended fingers bring the terror into sharp focus.

Art is breathtaking. Intricately detailed dark silhouettes contrast against the soft jewel tone tints. The gorgeous backgrounds are enchanting.
Color plays an important part in the story. Some of the opening settings and coloring are reminiscent of the classic Disney fairy tales, such as Cinderella. Eve's world is a sparkling pink, while the appearance of Bluebeard is signaled with predominantly blue hues.

Librarians who work with children know that kids love scary stories: chilling tales reread until the spines break and pages fall out. They constantly ask for more fright-filled short stories. More. More. More.
​Maintaining a selection of hair-raising tales is a never-ending task. Finding middle grade narratives with just the right amount of fright factor, but not veering into gristly gore can be a challenge.
​Josh Allen has this covered with Out to Get You: 13 Tales of Weirdness and Woe. Stories are quick reads: tightly structured tales told briefly in a few pages and concluding with a macabre twist.

Each begins with an everyday encounter. Then the ordinary takes an unexpected turn and young readers wonder what will happen next. Warning: "what happens next" is not a "happily ever after." Example: There's a stain on the school cafeteria floor. When a stray dime lands on the spot, the coin instantly vanishes. What happens when something or someone much larger accidentally lands on the stain?

Pay attention to the female characters. The girls are rarely helpless victims. They are often the perpetrators of some  horrifying stuff. They can deliver their own forms of justice. Lesson: Don't mess with a smart girl!

Sarah J. Coleman's full-page eerie black ink drawings and a glow-in-the-dark cover complete the package. 

Librarians would do well to order several copies of these middle-grade tales of terror. Satisfy young appetites for horror-lite with these creeptastic tales.

If I had a dollar for every time a student asked for a scary book, I could own a pair of Jimmy Choos. Let's face it: kids love creepy, spine tingling stories. Over time, this genre has consistently retained its appeal. R.L. Stein never goes out of style. Gaiman's Coraline, Black's Doll Bones, Baptist's The Jumbies, and Oppel's The Nest deliver contemporary horror to legions of young audiences.
Now, a dynamic writing duo has tapped into middle grade fascination with horror. Ally Condie and Brendan Reichs invite kids to explore The Darkdeep.

What if your worst nightmare came to life? What if the object of your childhood fears attacked you? What if a group of friends discovered that the terrifying figments of their collective imaginations took form?

Twelve -year-old explorers Nico, Taylor, Emma, and Opal discover a mysterious island hidden beneath massive cliffs. A strange-looking houseboat is moored on the island’s pond. Filled with a collection of the bizarre, this floating oddity feels like a “psychopath’s attic.” But even more intriguing is a swirling pool of black liquid at the bottom of the houseboat.

Coming to a city near you.... The Darkdeep launches a ten city tour, beginning October 1, 2018. 

One lucky person's  will appear in next The Darkdeep book. Check out this offer to have a character named after you in the sequel.

Susan Cooper has worked her magic again. Yes, the Boggart is back and this time he's bringing reinforcements, including Cousin Nessie of the Loch Ness. Boggarts are "Very ancient creatures, of the Wild Magic...They are shape-shifters, they can become anything they chose." The two, along with siblings Allie and Jay, find themselves at odds with William Trout, a real estate developer who plans to turn Castle Keep, the family's ancestral home, into a resort complex. He has already purchased much of the property. Bulldozers have commenced tearing down existing forests surrounding the castle.
To thwart his plan, the kids and monsters begin scheming. When ordinary pranks such as dumping a bulldozer into the Loch fail to stop Trout, it is time to call upon Scotland's mythological creatures to save Castle Keep. Note: The premise of a real estate magnate, declaring that the project will "be a huge success, huge...bringing hundreds of jobs...I'm a very smart businessman..." may sound familiar to today's readers.

A highland banshee. In this tale she is a small old woman in a green gown, found at the base of a waterfall.

A shape-shifting water horse who kills and then devours humans.

Denizens of the Western Isles, possessing blue hair and long blue beards. They prey on passing ships and are responsible for fierce storms.

Aileen Leijten has created something so original and fresh that I can't stop marveling over the wonder of Lint Boy. How in the world did she ever come up with the idea? 
A collection of lint located in the clothes dryer is fashioned by heat and motion into a tiny boy doll.  Like Pinocchio, this inanimate object becomes real. Soon a companion emerges, another mass of lint, shaped into a friendly bear, aptly named Lint Bear.
Up to this point, everything seems rosy and charming. I was expecting some simple little story about friendship and being true to oneself.
Not so.   There is evil lurking within the pages of this graphic novel. Mrs. PinchnSqueeze is a deranged old hag who has an obsessive compulsion to perform Frankenstein-esque measures on dolls.  She keeps the captured dolls in cages and practices her own form of bizarre surgery and mutilation on the once cuddly toys.  This woman is so vile that "even moths shrivel up when she looked at them." ​

Here is the lint from a load of heavy white bath mats.  I think I can see Lint Boy potential here. 

Time to raid my button box. Every time I open this tin of assorted buttons, I find treasure. 

Now to rummage through my bag of felt scraps. I like to make my own felt and this texture seemed to fit for Lint Boy.

Coraline 
​by Neil Gaiman

Coraline: Graphic Novel
by Neil Gaiman
adapted by 

Doll Bones
​by Holly Black

Cue the music. "You are about to enter Rod Serling's Twilight Zone
​

Meet Addison Merritt, resident of the Spill. Three years ago her town became a no man's land for reasons that are not clear: Maybe a nano outbreak at the local nuclear power plant? Possibly some leakage from another world? Who knows? Addie lives with the remnants of that horrific night. Her parents are gone and her little sister Lexa is now mute.
Gruesome meat puppets, rats, mealy worms, and some type of otherworldly monster now inhabit the town. Addison makes her living by slipping past guards to take striking photos of the Spill. Later she discovers that someone is willing to pay her an obscene amount of money to return to the hospital, located in the Spill sector where her parents died. She need only return to the Spill one last time. However her "one time only" unleashes the wrath of a mutant monster of terrifying proportions.

Westerfeld's narrative includes connections to current events, giving the tale an additional chilling brush with the reader's present reality. Consider: the threat of nuclear destruction "don't mess with the zone’s little projects,' construction of a wall "sooner or later they'll put up a real wall." and ties to North Korea "they know things we don't."