Thirteen-year-old Patricia "Sweet Pea" DiMarco is experiencing some significant changes. Her parents have agreed to an amicable divorce and will live on the same street in similar houses to minimize their daughter's discomfort with this new family dynamic.
She is simultaneously negotiating a falling-out with her former best friend and the repercussions from thoughtlessness toward her new best friend. This girl is headed for a world of hurt.
Then there's her neighbor, the eccentric advice columnist Miss Flora Mae who leaves town and asks Sweet Pea to forward advice requests and then deliver the answers to the newspaper editor. Sweet Pea succumbs to temptation and reads letters addressed to Miss Flora Mae. She decides to dispense her own advice and sets up an elaborate scheme to impersonate Miss Flora Mae in print. Sometimes the plan works. Sometimes it doesn't. How she extricates herself from a situation of her own making, salvages damages friendships, and rebuilds trust makes for a humorous, heartwarming tale.

Stacey Lee addresses racism, worker's rights, immigration, and women's suffrage from a unique perspective: a Chinese girl living in Atlanta Georgia in the late 1800s.
​Seventeen-year-old Jo Kuan loses her job as a milliner and must return to the demeaning life of a lady's maid for the cruel daughter of one of the wealthiest men in Atlanta. She and immigrant Old Gin secretly live in a tunnel beneath a newspaper printer's shop. She faces discrimination on several fronts. She’s an orphan, female, and Chinese .

An intelligent and resourceful young woman, she is determined to protect Old Gin and rise above her current circumstances. She finds a way, pseudonymously penning a local newspaper's advice column "Dear Miss Sweetie." Many questions are of the mundane sort: unruly children, troubled marriages, making a hat fit properly. She doesn’t stop there. Under the cloak of anonymity, she speaks out forcefully on racial and gender inequality. Her column is a success and newspaper subscriptions skyrocket.

Diwali, a five-day Hindu festival, commences with the new moon on the darkest night of fall. The picture book Shubh Diwali! introduces young readers to this festival of light.

A multigenerational family dressed in western clothing prepare and decorate their home in anticipation of the holiday. Observance includes wearing new traditional clothing, telling stories, ringing bells, and lighting lamps.

Chua's illustrations feature wide-eyed family and friends who have a variety of skin tones and manner of dress. Included are depictions of individuals with disabilities.

A complementary color palette that is predominantly various shades of gold and purple accentuate the night sky and contrast with the dazzling fireworks and lamp light. Interior scenes in warm yellows and golds reinforce the warmth and closeness of family and friends.

Wide-eyed wonder of the children's illuminated faces on the cover is particularly striking.

​Shrikhand (Strained Sweet Yogurt)

​Shrikhand is a creamy yogurt-based dessert from western India made simply by straining yogurt and sweetening it. The yogurt is traditionally strained by pressing it between newspaper (to soak up extra whey), but if you can find thick, full-fat Greek yogurt at the grocery store, then the process is even simpler: Hang it in a mesh strainer over a bowl for a day, and let the excess whey drip out. You can substitute slivered almonds for pistachios, if that's more your speed, or even skip the nuts altogether for a smooth shrikhand flavored only with sugar, cardamom and a celebratory sprinkle of saffron threads.

INGREDIENTS

• 32 ounces plain full-fat Greek yogurt
• 1 ½ cups loosely packed confectioners’ sugar
• 1 cup roasted unsalted or lightly salted pistachios, roughly chopped, plus ⅓ cup for garnish, roughly chopped
• 1 teaspoon saffron threads, finely chopped, plus a pinch for garnish, finely chopped
• ¼ teaspoon cardamom powder

Nina Soni’s life just got more complicated. She accidentally destroys her best friend's art project. Nina fears that Jay will no longer be her friend. She is stymied when her teacher assigns a Personal Narrative Project. She has nothing to write. Her life is as boring as plain rice.
​Then she discovers an interesting phenomenon that will be the basis for her person narrative. To her dismay, she learns that her idea is the same experiment used by  Jay at last year's science fair. She is discouraged.

When her sister's birthday party plans fall through, Jay and Nina come together and develop a clever solution to the birthday dilemma. Upon reflection, Nina realizes that retelling events of the past twenty-four hours will make an interesting writing project. 

Reynolds has penned a novel comprised of interconnected stories. Read independently they are insightful vignettes, zeroing in on the ten city blocks students attending Lattimer Middle School traverse each day. Collectively the stories reveal the hearts of those bound together by geography. The lives of these unique individuals intersect in unexpected ways.

In the push and pull of everyday life, we meet students affected by life-altering events such as sickle cell anemia, cancer, dementia, incarceration, and gay-shaming.

These ten blocks are jam-packed with a rich assortment of sensory details.

Sorell's cumulative verse begins beneath a hickory tree at the base of a mountain. The scene zooms in to reveal a cabin beneath the spreading branches of the tree. Stepping inside the cabin, readers see a simple yet welcoming home. Generations of Cherokee women watch as a grandma picks up fibers and weaves a pattern. She is intertwining more than strands of colored wool. She is weaving together a family, bound by love and tradition. 
Her threads extend beyond the walls of the cabin and encompass a family member far away.
A pilot flying far away in war-ravaged skies senses the influence of her grandma's songs and prayers. It is a prayer is for peace and a safe return.

An Author's Note explains that while this story fictional, it is based on the service of one Native American woman, Ola Mildred "MIllie" Rexroat an OgLaLa Lakota pilot. 

It is interesting to view the cover art for the three books in Tracey Baptiste's Jumbies series. The Jumbies, features a frightened young Corinne moving cautiously through a dark wood, ominous-looking eyes following her. Rise of the Jumbies depicts Corrine submersed in water, body entangled in the coiling tail of Mama D’Leau.

Corinne’s island is experiencing a rare occurrence: torrential rains accompanied by vicious lightning strikes. This is not normal. Corrine suspects that jumbies are the cause of this destruction. She learns to her surprise that this is not the work of Mama D’Leau.  

Huracan, a Mayan mythological entity, is the force behind the devastating storms. This god of lightning, wind, storm, and fire is out for revenge and is intent on destroying all of the island’s inhabitants.

It is up to one girl to save everyone on the island.
​She must negotiate mountain rockslides, avoid underwater volcanoes, and face a killer whale. She resolves to free Mama D’Leau who is trapped underwater. She must find her aunt Severine and return her to the island.   Several of these tasks require Corinne to take mermaid form. In the process, she risks losing her memory and even her life in order to save her family and friends.

A picture book brimming with poetry, rhythms, and song, A Likkle Miss Lou: How Jamaican Poet Louise Bennett Coverley Found Her Voice introduces young readers to the early years of a native poet and performance artist. 

Nadia L. Hohn describes Louise's fascination with the speech she that was an integral part of her daily life. Jamaican patois, an English-based creole language with a West African influence is spoken by the most Jamaicans.

At school, she was required to restrict her language to what was considered "proper" English. Louise was reprimanded by her teacher when she included words and phrases from Jamaican dialect in her assignments. ​Fortunately, she became a student at Excelsior College, where acceptance and appreciation for her native tongue was encouraged.
​Hohn's narrative is rich and colorful. She captures the flavor and cadence of the language in this sumptuous feast of poetic expression. 

Fernandes' illustrations tell their own tale. Louise's face moves from doubt and discouragement to wonder and joy. The animated faces of her classmates and native storytellers feature a variety of warm shades of brown.

Back matter includes an extensive Note from the Author with details on the life and works of Coverley. Hohn describes her own introduction to the works of this poet. A glossary, with photos of peanut drops and water crackers, is helpful. References contains a citation list.

Emilia Rosa is juggling a plethora of problems. Let's start with family. Dad, a Marine who was deployed during most of of her childhood, returns home. He seems to be a different person from the father she remembers. Mami, who keeps Emilia focused and organized, will be away on an extended business trip. Abuela, her maternal grandmother has definite notions about Emilia’s life, including the need for a quinceañera. This is something she emphatically does not want.

Sixth grade is a struggle. Not because she isn't intelligent, but because she processes stimuli in a different way. She needs time and individual attention in order to complete her homework. Some school assignments are difficult to untangle without guidance from her mother.The noises associated with school rallies in the gym are a horrific assault on her senses.

It is a common occurrence for me to cry when I finish reading a book, it is uncommon for my heart to swell and tears begin to spill down my cheeks from the very first page. Sing a Song: "How Lift Every Voice and Sing" Inspired Generations had me instantly reaching for tissues.

Kelly Starling Lyons has penned a soul-stirring recital of the Black National Anthem's story. Inspired by her family's history, she traces the song through five generations. Beginning with a birthday celebration of Abraham Lincoln, the anthem is an integral part of the family. The music journeys with the family through the Great Migration, World War II, the Civil Rights Movement and culminates with opening of the National Museum of African American History.

Keith Mallett exquisitely captures the hope and resolve of individuals as they sing. A master of his craft, the images of these portraits of faith, determination, and joy are indelibly imprinted on my heart.

Both Sing a Song and  Going Down Home With Daddy, create a deep personal bond with readers. These are stories which nourish the soul.

When times are tough and faith gives only the thinnest glimmer of light, there is hope, there are heroes. Newbery Award-winner Kwame Alexander's poetry pays tribute to Black Americans who with determination, persistence, dignity, courage, and vision have survived and thrived.

The Undefeated honors some of the individuals, past and present, who embody the struggle to dream and achieve. Authors, artists, athletes, poets, politicians, Civil Rights leaders, and musicians are among those referenced through soaring verses which capture the dignity and grace of the human spirit. 
​Alexander also pays tribute to those who suffered, sacrificed, and lost their lives.

Two-time Caldecott Honor-winner Nelson's close-up portraits capture a spirit of quiet strength and determination.  The realistic style exudes countenances glowing with warmth and intelligence. Nelson uses a rich variety of skin tones and facial characteristics. Each an individual. Each unique.  The faces also portray joyful and proud moments. Eyes shining with tears.