​Like Scheherazade, Nayeri has a gift. He weaves a thousand and one tales into an opulent Persian tapestry: a story of mythology and memoir, of the mundane and the memorable. A story that is as true as what you see with your own eyes and as real as what you cannot see.

The saga begins: a ten-year-old Iranian refugee stands up in an Oklahoma schoolroom and tells classmates his story, his history.

There are so many things going on in this narrative. Several pages are devoted to considerations of poop. It should not be surprising. This is not some esoteric philosophical treatise, although there are ample references to God and religion, anxiety and resilience, dignity and prejudice. At its core, it is a story of basic human needs. It's a story of survival. Nayeri lays bare his heart, his devotion to his mother, his complicated relationship with his father. It’s a guidebook for navigating a strange western culture and for methodically escaping the cruelty of others. It’s all of it.

​But it’s more. Inspired by the 1940s Superman radio series “Clan of the Fiery Cross,” Gene Luen Yang chronicles a lesser-known aspect of bigotry and racism in American history: Chinese Americans targeted by white supremacists.

​​​The narrative has two plot threads. Alternating stories chronicle a Chinese American family's move from Chinatown to a new neighborhood. This is juxtaposed with the tale of a superhero arriving to earth from another planet. ​Both threads explore the plight of individuals who are perceived as different. ​Both are stories of immigrants. Stories of aliens.

Dr Lee, his children Tommy and Roberta, and mandarin-speaking wife move from Chinatown to a suburban Metropolis home. Tommy is excited. He is quickly invited to play with the local youth baseball team. Roberta is apprehensive. She wonders if she will fit it and make new friends.
Sadly some people do not welcome the Lee family. They are subjected to subtle and overt racism. One night Tommy and Roberta watch in horror when hooded Klansmen chant “One Race! One Color! One Religion!" and burn a cross in their neighborhood.
Baseball teammate Chuck takes part in this cross burning. His uncle is the Klan’s Grand Scorpion. Chuck is uneasy about the Klan’s activities, yet wants to please his uncle.

Hurrah! A middle grade book that is funny. And heartwarming and painfully honest. Bonus: It is served with a side of tasty Korean barbecue.

Meet Yumi Chung, eleven-year-old daughter of immigrant parents. Pressure. She constantly feels parental pressure to excel academically. It's particularly difficult because her older sister Yuri is the embodiment of the ideal Korean daughter: accelerated educational advancement and currently a medical school student.

Not Yumi. Earning high marks and academic accolades are not that important. What she really loves is stand-up comedy. This seems bizarre, as she is painfully self-conscious.

Mom has decided that Yumi will spend her summer with tutoring sessions in preparation for the SSAT, Secondary School Admission Test. ​​​Yumi grudgingly heads off for morning test prep sessions combined with three hours of afternoon study at the library. 

Yumi picked up a tip from her comedy idol Jasmine Jasper. She maintains a journal, recording her observations and reactions to events in her life. These entries could be the basis for possible jokes and comedy routines.
Readers will find several pages from Yumi’s notebook scattered throughout the first person narrative. Yumi accompanies her entries with personal emojis that express her current mood .

Gomez takes the well-known tale of "Little Red Riding Hood," dresses the main character in a scarlet hoodie, adds a distinctive Latin flavor, and sets it to a rhythmic beat. It's Federico and the Wolf, a contemporary retelling.

In this version, young Federico bikes to his grandfather's shop. First he stops to purchase ingredients for pico de gallo.  He and grandfather plan to enjoy lunch together and then whip up a batch of hot salsa. 

Federico is on his way with a basket of groceries when a hungry wolf appears and declares his intent to devour this niño. It takes some quick thinking and a large habanero to outwit un lobo.

At the tale's conclusion, Gomez shares a recipe for pico de gallo. She adds a glossary of Spanish words and phrases with pronunciation guide along with definitions. 

Chavarri's charming illustrations have a contemporary folk-art quality. End papers feature colorful traditional patterns with the faces of Federico and Grandfather nestled within the designs. Her portfolio includes this dazzling bookmobile art.

Brick mason meets young reader. Sheffield has ingeniously woven together the building of an architectural structure and the creation a reader. Both are busy: constructing brick by brick, book by book.

​Pages views alternate between parallel activities. Papa scales the scaffolding while Luis scrambles up playground equipment. Papa mixes mortar and trowels a layer of cement as Luis molds clay. Papa stacks bricks row by row and Luis arranges a tower of his favorite stories, book upon book.

The heart of the story is the relationship between a father and son. Luis rides on his father's shoulders while wearing papa's hard hat. The two share a warm abrazo.
Together they work and plan for the fulfillment of a dream: a house that they can call home.

Illustrations are stellar. Sheffield's collages of textures, colors, shapes and snippets of photographs are ingenious. Artistic assemblages are enhanced with painted details.

Observant readers will find papa's boots are photographs of actual work boots. The United States flag is a collection of irregular red and white stripes, hand drawn stars on a blue background and a snippet of blue jeans. Pieces of actual brick form the buildings. Multicolor angular shapes become falling autumn leaves.

Allie Abraham works on blending in. A Circassian with reddish-blond hair and hazel eyes, it is easy for this sixteen-year-old cheerleader, academic standout, and school choir member to ignore her Muslim heritage. Allie's non-practicing Muslim father believes that this will protect her from discrimination.
However, Allie is drawn to the culture and religion of her grandmother. She wants to learn Arabic, study the Qur'an, begin a habit of regular prayer, and dress modestly. She meets with a group of forward-thinking Muslim young women who practice their faith in modern America. She's an All-American Muslim Girl.
Publicly acknowledging her heritage is a challenge. She hides her newfound interest in Islam from her father, walks a fine line with her boyfriend whose father is a well-known and bigoted news personality. She deals with classmates who mock her faith and other Muslims who condemn her for not being Muslim enough. What to do?

​This collection of short stories paints miniature portraits of an assemblage of Eid-al-Fitr celebrations. While the practice of faith varies within the Muslim community, each unique Eid observance is memorable.
The anthology contains lighthearted as well as poignant glimpses into the culminating observance of Ramadan with descriptions of private prayer, public celebrations, distinctive clothing, special food, and gifts. Readers meet a recent convert to Islam who fasts and samples spicy fare for the first time. For others Eid is bittersweet, reviewing celebrations from years past and remembering absent family members. ​ Some stories follow the journey to be with family: taking the subway to the Bronx or sitting in the car’s back seat with siblings while traveling to Sydney, Australia. I loved the descriptions of clothing: choosing to wear a hajib for the first time or fashioning a unique gown from a thrift store purchase.

A possible solution presents itself. Jude loves theater and movies. She learns that the school is staging a production of Beauty and the Beast. Summoning her courage, she auditions for a part in this fairy-tale musical. Can a girl from Syria can make it onto the stage in Ohio?

Victoria Jamieson and Omar Mohamed's When Stars Are Scattered introduces readers to the reality of survival for displaced individuals, an existence filled with deprivation, uncertainty, and boredom.

Jamieson is a masterful storyteller. She brilliantly describes her childhood interests in Roller Girl, a Newbery Honor Award book and All’s Faire in Middle School. Now she steps away from personal experience to chronicle the childhood of Somali refugees Omar Mohamed and his younger brother Hassan.

​The narrative is based on Omar’s memories. He and Hassan escaped Somalia's civil war, lost contact with their parents, and were given shelter at a camp located in Kenya. Looked after by a kind woman, they subsist on meager rations and sleep in a tiny tent. Omar assumes responsibility for disabled brother's daily care. Life changes when a UN worker suggests that Omar attend a school organized for the camp's children. Education becomes his lifeline and an escape from the grim reality of camp life. Fifteen long years later, the two resettle in Arizona.

This collection of short stories paints miniature portraits of an assemblage of Eid-al-Fitr celebrations. While the practice of faith varies within the Muslim community, each unique Eid observance is memorable.

It’s true. Muslims women are diverse. They cannot be typecast. Each woman is unique, reflecting her country, culture, and family. Some chose to express themselves with a head scarf. Some opt for a western style of dress. 

What do they have in common? Pride in their Muslim identity. Respect for the diverse ways to practice their faith.

Thirteen-year-old Julia keeps a deeply personal journal describing her life near the Mexico -United States border. Over the course of approximately two years she discloses her fears, her uncertainty, and the longings of her heart. Detailed lists and commentary reveal her life, her everything.
Living in Juárez with father, mother, and younger brother Willy, Julia’s life experiences a seismic shift when her father begins working for the mafia. She assumes that he is a courier. Suddenly the family has a new car, a new house, and many luxury items. But wealth has a downside.
Mamá is no longer her confidant. Her mother's primary objective is to protect and care for her husband. In an attempt ​to shield her children from the mob's influence and possible retribution, she sends Julia and Willy to live with family in El Paso: Aunt Tia, Cousin Jose, and their dementia- afflicted great grandmother.

A picture book blending images and text to describe and define a color,  Black is a Rainbow Color is rhythmical verse punctuated with rhyme.  The poetry has a singing quality, inviting reading and responding aloud.

Individuals pictured throughout the pages have a variety of skin tones and physical features. All share a noble heritage.