Beth tries to understand and manipulate events, hoping to make everything “better.” A quiet observer who clings to her idealization of the group, she goes to extraordinary measures to get along and go along, even when it doesn’t feel right.

Gilbert's characters, as seen through the lens of Beth’s perception, often reveal their personalities through dialogue. A hallmark of her writing is an exploration into the essence of each individual while simultaneously illuminating the group’s dynamic. Tiny intimate details give the story its emotional depth. One of the most heart wrenching scenes occurs when Beth stands outside her father’s house, but never steps up to his door.

After a series of missteps and misunderstandings, Beth finally acknowledges that music gives direction and purpose to her life. As she plays her violin, she becomes one with the music. Following her passion requires courage and a belief that embracing music does not mean the end of treasured relationships.

Camila constructs an elaborate charade to conceal from her family her passion for fútbol and her identity as La Furia. She tells her mother that she is with a friend when she participates in games and team practice. So that she can’t be contacted, she allows her phone to run out of minutes. She waits until no one is home to wash her uniform and pretends to study for an upcoming medical school entrance exam.
Her life is further complicated when a childhood friend, now an international fútbol star, returns to Argentina for a brief visit. It is apparent to both that this is more than friendship. The attraction is mutual. Camila faces a heart wrenching dilemma. Does she abandon her dream of becoming a world class athlete and follow the guy who makes her heart sing? Or does she remain focused on her life-long ambition and reject his offer of a life together?

This story is about choices. Hard choices. Camila agonizes over her decisions, recognizing that with each choice, she may be closing a door. Will she choose to follow her passion for fútbol or succumb to her desire to be with the boy she loves? Can she stand up to her abusive father? Will she remain silent? Can she confide in her mother?

Narration moves fluidly between Spanish and English. Madariaga flawlessly differentiates the varying degrees of English fluency among her Spanish-speaking characters. Singing flows beautifully as a natural extension of the narration. The longing, indecision, frustration, and passion of an older teen is clearly evident in this performance.

The author obviously knows and loves the sport. The play by play descriptions bring readers onto the pitch, delivering immediacy and fierce intensity to the narrative. Méndez storytelling is a polished gem. Her characters are multifaceted. The narrative reveals their sparkling qualities as well as inherent flaws. Their lives are messy. There are no simple solutions. Things are not perfect. However, there is hope.
Furia is intense, filled with desires and dreams, heartache and disappointment, pain and passion. Camila is a girl of my heart.

The two have an explosive secret: a cell phone containing damning photographs and documents detailing human trafficking that originates in Mexico and extends into the United States. Those involved include a federal government employee. Before they part ways, Sara entrusts the phone to her brother. Sara and Emiliano must protect this valuable piece of evidence without endangering one another.

Stork ratchets up the tension as both lives are on the line. Sara is locked in solitary confinement within a detention center in Fort Stockton Texas because she refuses to disclose the whereabouts of her brother. Emiliano tries to stay one step ahead of a killer hired to track down the phone. It’s a nail biting, intense read.

The narrative includes fascinating details about everything from technical processes used to open a phone to some of the legal intricacies in the asylum process. There are striking contrasts: Emiliano sharing tender moments with his half brother while Sara endures horrific cruelty. A stunning betrayal keeps the central characters constantly questioning who to trust. Both siblings are faced with moral dilemmas. There are no easy solutions. Every choice has positive and negative consequences. ​

Initially, the two earn money peddling religious statues in the predominantly Catholic villages. It seems a unusual thing: Jews selling religious statues. Sadly, this venture produces little income.

Their fortunes begin to look up when, desperate for suitable clothing to wear in the oppressive heat, Esther designs and sews a light, comfortable dress to replace her heavy woolen clothing. By hand, she sews similar dresses for her friends. Several of her creations are displayed in a local shop. Then the miraculous happens. Esther receives a sewing machine. With help from her father, the two make attractive lightweight dresses for women in the village. Eventually her designs are sold to a buyer in Havana. Now there is hope that she can earn enough money to reunite her family in Cuba. After some tense moments, the family obtains the necessary money to emigrate.

Esther is a natural at reaching out and connecting with people. She quickly becomes acquainted with many of the villagers. Her father’s rents lodging from the local doctor and his wife. They befriend an Afro-Cuban woman and her grandson. A couple from China own the local store patronized by Esther and her father. She invites this diverse group to share a Seder meal in their tiny apartment. She must improvise, dipping onions in salt water and filling glasses with sour cherry tea. The celebratory dinner is a success. New friendships are formed.

Esther is the star of this story. Her resourcefulness, hard work, willingness to try new things, and acceptance of other cultures and customs make the story shine.

This epistolary middle grade novel was inspired by Behar's grandmother’s journey from Poland to Cuba. Her story offers young readers a fresh perspective on a contemporary issue. ​  Letters from Cuba is a mind-opening,  heart-expanding look at the plight of immigrants, the far-reaching effects of World War II, and the stain of racism.  

Unfortunately, the family is dealing with several other issues. Her high-achieving medical student sister has decided to quit school and join the peace corps. The family restaurant is experiencing a significant financial downturn. Yumi wants to quit the prestigious and expensive private school favored by her parents and enroll in the new Performing Arts Magnet School.
Yumi's juggling act of working at the restaurant, attending morning test prep classes, maintaining the pretense of studying daily at the library, preparing a routine for an upcoming comedy club showcase, and assuming the identity of another workshop participant all comes crashing down. Big time.

Readers will sympathize with Yumi as she tries to unravel the mess that she has created, support the family's business, honor her parents’ wishes, and find a way to realize her dream. Everything doesn't work out perfectly. There are heartbreaking moments and several compromises. However... there are jokes!
​Like Korean barbecue Stand Up, Yumi Chung! is sweet with a few salty tears but definitely savory. YUM! ​Kudos Jessica Kim.

Then there's The Mister. Sarah's father refurbished an unused silo, creating a small round home which the family rents to help offset the farm’s expenses. Sixteen days after completion of the tiny round multi-storied home, a mysterious stranger arrives in an old Cadillac limo and agrees to rent the space. He silently moves about, keeping to himself. Sara and Hawk speculate on who this man is and why he moved into the silo. They refer to him as The Mister.

It's August. The land is parched, the cistern dry. Then the unthinkable happens. The hay shed and hay field catch fire. Shed and most of the hay are gone. All that remains are char and soot, banishing the family's hope for a profitable farm season.

Three totally unrelated things woven into a story of beauty and power. Kephart does it. And does it masterfully.

It’s a tale of quiet desperation and the uncertainty of life.
Somehow despite, or maybe because of a life-threatening condition and the possibility of financial ruin, there is a reason to hope.
​Hope is rain. Hope is Sara’s seed collection. Hope is a pair of red shoes.
​I love this book. Considering current world events, The Great Upending has arrived at precisely the right time.

Bonus: Kephart offers a glimpse into the world of children’s book publishing when a librarian and an author visit a publisher’s offices in New York City’s iconic Flatiron Building.

At age twelve, Bea’s life is about to experience another seismic shift. Dad has announced that he and his partner Jesse are getting married. The secure little nuclear threesome of Dad, Jesse, and Bea will expand to include Sonia, Jesse’s daughter who lives with her mother in California. Bea is thrilled at the prospect of having a sister and fantasizes about life with a sibling. When Sonia comes for a visit, things are not as Bea envisioned. Not at all.

Bea has her share of challenges. She suffers from eczema which requires application of a medicated lotion. She frequently opts for quick but temporary relief by running her hands under scalding hot tap water, leaving her skin sore and dry. She often exhibits a lack of impulse control, rashly responding when angry. On more than one occasion her impetuous outbursts have alienated her from those close to her. Mom has arranged for her to regularly meet with a therapist to help Bea learn to deal with her anger and frustration.

Stead lovingly paints her central character as flawed. Bea makes mistakes, some trivial, others resulting in serious consequences. Her anger, recklessness, and misreading of a situation bring pain to herself and to others in her immediate circle. She’s a girl who loves to dance, looks forward to the future, and eventually takes the massive step to acknowledge her past mistakes and courageously work to make things right. Readers will fall in love with Bea, not by overlooking her faults, but by accepting this imperfect girl. Readers will discover, like her family and friends, that they love her. All of her. Her strengths and her weakness. A story of love that persists in the face of change.

While The List of Things that Will Not Change narrative is a whole cloth, each chapter stands alone, a polished gem in a sparkling diadem of a novel. I read, stopping to savor each individual chapter.  Each is a well-crafted tiny literary jewel that offers a glimpse into a precise moment in Bea's life.  Chapters fit together into a smooth and polished middle-grade story. This is Stead at her best. 

Look at all these lovely shades of blue. Five distinctly different hues. Five unique stories. They all come from the brilliant mind a master storyteller.

The anthology is feast for the senses. Stories include lighthearted as well as poignant glimpses into the culminating observance of Ramadan with descriptions of private prayer, public celebrations, distinctive clothing, special food, and gifts. Readers meet a recent convert to Islam. She fasts and samples spicy foods for the first time. For others Eid is bittersweet, reviewing celebrations from years past and remembering absent family members. ​ Some entries follow the journey to be with family: taking the subway to the Bronx or sitting in the car’s back seat with siblings on the way to Sydney, Australia. I loved the descriptions of clothing: choosing to wear a hajib for the first time or fashioning a unique gown from a thrift store purchase.

A variety of writing styles and formats (prose, verse, comic panels) share long-standing traditions and introduce contemporary celebrations. Bake a batch of special Eid brownies with ALL the toppings and savor this delightful anthology. Share the joy of family, generosity, and friendship.

Insightful stories. Engaging plots. Thought-provoking points of view. S.K. Ali and Alisha Saeed have assembled the work of fifteen talented women. Meet some of the amazing authors who contributed to this anthology. ​

​​​This young girl faces an uncertain and frightening existence. She must adjust to a new city, new home, new school, new language. She is angry with her father who mysteriously vanishes for long periods of time. She resents her mother for what she perceives as abandonment of her children. She feels that she must accept responsibility for Willy and be the mother he no longer has. This is a heavy burden for a young girl to carry.

When her life in Juárez is forever gone, she makes a startling discovery.
Her father is more than a courier. He is a hit man.
​Julia is devastated. Her pain bleeds across her diary pages.

She enters an American high school with a few glimmers of hope. She makes a friend and shares with him her shameful secrets. Her great grandmother becomes a source of constancy and comfort. After her husband dies, Mamá reunites with Julia and Willy in the United States and takes tentative steps to reconnecting with family. 

The Everything I Have Lost is a story that is bleak and often terrifying. It paints a picture of survival and finding hope when things seem hopeless. Zéleny's prose is poignant and piercing in its honesty and humanity. A story that readers will not soon forget.

"Hold on to your dreams...When times get tough, hold on tight and don't let go."
Reyna Grande

War affects everyone, including children. Three middle grade books written for middle grade explore the devastating effect of World War II on youngsters living in Great Britain. Three very different books: the life-affirming true story of courage in the face of disaster, a thrilling saga filled with danger and intrigue, and heart-filled tale of a disabled girl learning to trust. Three completely different stories. All excellent reading for middle grade.

Torpedoed: The True Story of the World War II Sinking of the Children's Ship
​by Deborah Heiligman

Author Lucy Strange introduces her book.