For two decades Laurie Halse Anderson has been speaking out, giving voice to teens who have experienced horrific trauma. Speak has brought the shame and humiliation experienced by rape victims out of the dark recesses of suppressed memory. Acknowledging the suffering, the rage. Initiating the first steps to healing. In my early years as a youth librarian, Speak was constantly requested, always checked out. The story is as relevant to a fourteen-year-year-old girl from a small Texas town in 2000 as it is to a teen living in urban New York in 2019.

Speak by Laurie Halse Anderson It all started in 1999. Laurie Halse Anderson published her first book: a ground-breaking young adult novel chronicling the story of fifteen-year-old Melinda Sordino. Beginning her freshman year, this young student is ostracized by her former friends and classmates. She is singled out at a school pep rally for calling the police at a summer party. What Melinda cannot say is that she was raped at that party. School becomes unbearable. She is constantly confronted with the shame and agony of that night, as the boy who raped her is a student at her school. Shunned by her friends,

Speak: The Graphic Novel ​by Laurie Halse Anderson ill by Emily Carroll Publishing a graphic novel version of Speak is both an obvious choice and a brilliant decision. This visceral narrative translates to striking visual imagery. Anderson chooses to update the original story, including references to cell phones and Instagram. This gives the narrative a fresh, contemporary vibe. Her Author's Note serves as an introduction. A helpful list of organizations which support victims of sexual assault contains descriptions and contact information can be found in the back matter.

Shout by Laurie Halse Anderson Told primarily in verse, this memoir covers a wide range of events and emotions. Part One shares moments from Laurie’s difficult and conflicted childhood, her rape at age thirteen and subsequent reliance on drugs to mask the anguish, the slow ascent from depression during tenth grade, her year as a foreign exchange student in Denmark, and her foray into writing for teens. Part Two explores the publication of Speak and the impact it has had on her and a world-wide audience. Part Three returns to recurring symbols and themes: trees, blood, family, and stories. She acknowledges her parents’ personal troubles, but is willing to maintain a relationship with each. What a generous heart!

Bonus: Additional Resources

Since my early draft of this post, a twentieth anniversary edition of Speak​ has been released. It includes a new introduction by Ashley C. Ford as well as an afterword by Jason Reynolds. This edition also features an updated Q&A, resource list, an essay, and poem by Anderson. I look forward to reading this updated edition. I’ve Talked With Teenage Boys About Sexual Assault for 20 Years. ​This Is What They Still Don’t Know  Laurie Halse Anderson Time January 15, 2019

Laurie reads "Me,Too" from Shout. Laurie reads "Listen" from the 20th edition of Speak.

Under Water by J. L. Powers

After the death of her beloved grandmother, seventeen-year-old Khosi and her nine-year-old sister Zi must face the world alone. Her aunt, accusing Khosi of witchcraft, has stripped the girls’ family home of its contents. They have only mattresses, a cracked plastic chair, and an ancient T.V. Working as a sangoma, a traditional Zulu healer, Khosi abandons her studies in order to support herself and her sister. This should have been her last year of school prior to university. She wanted to study nursing, practicing modern medicine along with traditional healing. Circumstances impel her to break the two promises she made to her grandmother: that she would complete her schooling and that she would not get seriously involved with her longtime boyfriend, Little Man. Tensions rise when her boyfriend becomes enmeshed in the local tsotsi's (gangster) taxi war and the body of a murdered Somali shop owner is left on her property. Destitute, pregnant with Little Man's child, her home destroyed by fire, Khosi knows that she must take her sister and flee.

"What do you suppose Gogo is doing right now on the other side?" Zi asks.
I shake my head. I don't have to suppose. I already know. "She and the other amadlozi are sitting around gossiping about the funeral," I say. "Gogo is laughing about how many people came for a free meal, people who never visited when she was alive."
Zi shakes her head. "That isn't funny,"
...
​"The things that matter to us when we are alive are not so important when we are dead," I say. "Gogo is glad they had a good meal. And she's touched by how many of them brought money to give to us."

Getting Acquainted with South Africa

Introduce students to the history and culture of South Africa and the Zulu People. These resources may serve as a starting point for further exploration.

They Call Me Güero: A Border Kid's Poems by David Bowles 

This slim poetry collection becomes more relevant with each passing day. They Call Me Güero chronicles the life of twelve-year-old Güero, a Mexican American boy living on the swath of land near the Rio Grande. Although he lives on the American side of the river, his heritage and identity are deeply rooted in Mexico.  He frequently traverses the bridge connecting the two countries. In Mexico he and his father eat breakfast and purchase fresh groceries. Güero's imagination inhabits his grandmother's world filled with chilling tales of mythical monsters. He possesses distinctive physical characteristics which distinguish him from other members in his community: a light complexion with freckles and a head of bright red hair.

Bowles handles sensitive topics with a light touch. Racism, stereotypes, immigration are part of Güero's life and are subtly revealed throughout the narrative. This is a boy discovering a world closely connected to his heritage, family, and friends.    Spanish is clearly an important feature in the text. Bowles liberally peppers these verses with Spanish phrases and references to Mexican and Mexican-American culture. A glossary for most of the phrases with pronunciation and the English equivalent enriches the reading experience. This is especially helpful when reading aloud. The poems can be read as a collective narrative.  They also work well as standalone vignettes.  Read. Enjoy. Discuss. Share. Repeat.

¡Gracias!

​THE REFUGE ON THE RANCH It's quiet here except for the hushed flow of the river and the hum of the bugs answered by the sharp trill of birds Somewhere, an ocelot growls. ​ "I know poetry when I hear it.”

Blended by Sharon M. Draper

Eleven-year=old Isabella feels that she is constantly being pulled in different directions. Her life ping-pongs back and forth, as her parents share custody. She lives part-time with her black father, his girlfriend and her son. Alternate weeks are at the home of her white mother and future stepfather.  Two different homes. Two different families. Every. Other. Week. At dad's house, she is Isabella and practices her music on a grand piano. To mom she is Izzy and prepares for her upcoming recital on an electronic keyboard. Then there are the Exchange Days, the dreaded moments when her two sets of parents meet at the mall and Izzy/Isabella must switch backpacks, lifestyles, and identities. It's confusing.

Listen Up

Additional Sharon M. Draper Books

Darius the Great is Not Okay
​by Adib Khorram read by Michael Levi Harris

Meet Darius Kellner, "Fractional Persian," slightly overweight sophomore, and tea aficionado. His commentary is liberally sprinkled with references to Star Trek and Lord of the Rings. He adores his Persian mother, dotes on his younger sister Laleh, and navigates a complicated father/son relationship. He's nerdy and possess a biting wit referring to classmates as the "Soulless Minions of Orthodoxy," and frequently doubts himself "That's normal. Right?" He is also a young man suffering with clinical depression. Life takes an unexpected turn when the family travels to Iran to visit his Zoroastrian grandfather who is diagnosed with a brain tumor. Darius confronts the reality of his identity as a young man of Persian heritage who has been raised in a decidedly western culture. Is he American or Iranian? Is it possible to be a part of each? ​He discovers that he has a talent for playing soccer/non-American football, a love for his maternal family, and the ability to forgive and be forgiven by a friend. Darius returns to America with increased acceptance of himself, greater appreciation for his family, and a clearer understanding his depression.

Bonus: Listen up

Random Musings

Dear Sister 
by Alison McGhee ill Joe Bluhm

There is a unique quality to sibling dynamics. In the first place, there isn’t much mystery. You know all the secret little things that only two who share the same living space can appreciate. You have the same backstory. This can work for and against your relationship. Alison McGhee explores this complex bond in Dear Sister, an epistolary collection of messages from a brother to his eight-years-younger sibling, beginning with his sister’s birth and concluding when he leaves home for college. Required by his parents whom he often refers to as the wardens, he frequently composes cards and notes for his sister. Some celebrate important events such as birthdays. There are "report cards" grading her on characteristics ranging from crying to avoiding lima beans. There is more than one apology. Many are accompanied by his drawings. Readers follow the lives of both as they grow up and experience life’s challenges. ​ The evolution of their relationship is brilliantly chronicled. A running thread is the young girl's insistence on multiple readings of her favorite book, Never Too Clever. Her delight in hearing the story read aloud does not diminish with time.

How many "Been there. Done that" moments will you find within these pages?

Meeting the Creators

I have been a fan of Alison McGhee’s work for some time. What I Leave Behind, Maybe a Fox, Birdie and Pablo are three recently published titles that I completely and totally fell in love with. Not only is Alison a gifted author, she is also a very talented narrator. I had the good fortune to meet up with Alison and her sister Holly, literary agent and kidlit author. Wonder if these sisters ever had sibling issues?

At a picture book presentation I sat next to an unfamiliar face. I was fairly certain that he was not a librarian, nor part of a publishing team. Who was this guy? He introduced himself: Joe Bluhm, illustrator for a soon-to-be-released book. At the conclusion of the event, Joe produced a galley of a book based on an intriguing concept and filled with the most engaging illustrations. He shared a bit about the book and his illustration process. Thanks Joe for a copy of Dear Sister.

He signed the ARC.

Copyboy by Vince Vawter

Those who have read Vince Vawter’s Paperboy, may be surprised with Copyboy The cover states that it is “the sequel to Paperboy, a 2014 Newbery Honor Book.” The cover image of a young boy, with bag slung over his shoulder suggests this is a continuation of this youngster’s story. However, the narrative does not pick up where Paperboy left off. Vic has grown up. He’s doesn't deliver newspapers. He’s a high school graduate, headed for college. He has secured a job at the local newspaper office, owns a car, and possesses a mind of his own. This is the story of Vic’s personal odyssey, fulfilling his promise to Mr. Spiro, the man who befriended the shy stuttering eleven-year-old. Before beginning a job at the Memphis newspaper and prior to his freshman year, Vic surreptitiously leaves home and travels to New Orleans. He is searching for the mouth of the Mississippi River, where Vic plans to honor Mr. Spiro’s request to have his ashes scattered at the point where the river meets the ocean. "It’s just something I have to do. For Mr. Spiro...and ​m—aybe for myself.”

Wisdom from Mr. Spiro

Harbor Me by Jacqueline Woodson

​​What would happen if you intentionally leave a group of kids alone in a classroom? This story framework, a group in a confined space for a specific period of time, is generally reserved for adult literature. Think: a sequestered jury, a therapy group, passengers on a plane/train etc. The most notable equivalent application for teens is The Breakfast Club. But a group of students deliberately put together in a classroom without an adult present is something I don’t offhand recall in another work of juvenile fiction. It’s a bold construct that really works. It works so well that I became a virtual member of the group, as the dynamic slowly, often painfully, evolves. I could relate to each student. It was easy to picture myself as an unseen participant in the room. ​​Concepts of immigration, incarceration, racial disparity, and economic inequality are woven into the narrative. While these are important issues, it’s the relationship among the six kids that is imprinted on my mind and heart. Each voice is distinct and offers a unique perspective.

Kudos for the cover design. It captures the essence of creating harbors for kids.

Sing Along

Bonus: Twitter post from Jacqueline Woodson

Dear Rachel Maddow by Adrienne Kisner

Life is not fair. It certainly hasn’t been that way for Brynn. Her home life gives new meaning to the term dysfunctional. Older brother Nick, brilliant and caring, died due to a drug overdose. Dad abandoned the family. Mom remarried. Together her stepfather and mom have carved out a strange existence which has no room for Brynn, other than tormenting her whenever they fear that she might expose the shame of their situation. Her love life has hit an all-time low following the break-up with girlfriend Sarah. "Loss isn’t motivating. It’s debilitating." Then there’s school. Once a promising high school scholar, Brynn’s current academic status has resulted in dismissal from the school newspaper staff and reassignment to the Applied program, which meets in the basement of the high school and provides additional support for struggling students. "Do you get lost effects from lost causes?"

Me, Frida, and the Secret of the Peacock Ring
​by Angela Cervantes

Paloma Marque is spending the month of June in Mexico City. While her mother pursues advanced studies, she can become acquainted with the city, language, and culture of her deceased father. Initially she is reluctant to leave behind her US friends, but she soon becomes captivated with her father’s native city, a handsome boy, the art of Frida Kahlo, and the mysterious disappearance of a jeweled ring. With the help of two friends, Paloma goes in search of the missing ring. She finds herself caught up in a series of dangerous situations involving some nefarious individuals. Paloma summons up the deductive skills and courage of her favorite fictional detective Lulu Pennywhistle. She plots a strategy to recover the missing ring and return it to its rightful owner. ”Okay,”  Paloma said to herself. “I just need to Lulu up and do this.”

La Casa Azul

View studio, dining room, or garden.