Thirteen-year-old Patricia "Sweet Pea" DiMarco is experiencing some significant changes. Her parents have agreed to an amicable divorce and will live on the same street in similar houses to minimize their daughter's discomfort with this new family dynamic.
She is simultaneously negotiating a falling-out with her former best friend and the repercussions from thoughtlessness toward her new best friend. This girl is headed for a world of hurt.
Then there's her neighbor, the eccentric advice columnist Miss Flora Mae who leaves town and asks Sweet Pea to forward advice requests and then deliver the answers to the newspaper editor. Sweet Pea succumbs to temptation and reads letters addressed to Miss Flora Mae. She decides to dispense her own advice and sets up an elaborate scheme to impersonate Miss Flora Mae in print. Sometimes the plan works. Sometimes it doesn't. How she extricates herself from a situation of her own making, salvages damages friendships, and rebuilds trust makes for a humorous, heartwarming tale.

Stacey Lee addresses racism, worker's rights, immigration, and women's suffrage from a unique perspective: a Chinese girl living in Atlanta Georgia in the late 1800s.
​Seventeen-year-old Jo Kuan loses her job as a milliner and must return to the demeaning life of a lady's maid for the cruel daughter of one of the wealthiest men in Atlanta. She and immigrant Old Gin secretly live in a tunnel beneath a newspaper printer's shop. She faces discrimination on several fronts. She’s an orphan, female, and Chinese .

An intelligent and resourceful young woman, she is determined to protect Old Gin and rise above her current circumstances. She finds a way, pseudonymously penning a local newspaper's advice column "Dear Miss Sweetie." Many questions are of the mundane sort: unruly children, troubled marriages, making a hat fit properly. She doesn’t stop there. Under the cloak of anonymity, she speaks out forcefully on racial and gender inequality. Her column is a success and newspaper subscriptions skyrocket.

The Year We Fell From Space is a searing portrait of a young girl in conflict.
​Liberty Johansen distances herself from her classmates when she refuses to participate in school playground activities such as marriages and excommunications. And she’s not afraid to let her views be known.
​It’s stupid...We’re in sixth grade. Having weddings is stupid.

​She shoulders a massive self-imposed burden, trying to keep her family together, attempting to maintain peace and a sense of normalcy in situations which are beyond her control.
She is fascinated with astronomy and creates her own star maps. Her interest in the stars becomes her safe place. She discovers an unusual rock and believes that it is a meteorite, sent from the skies directly to her. The rock becomes her solace, her companion, and her confidante.

Lib views herself and her world through the lens of her current circumstances: sixth-grade outcast, protector for her younger sister, and dutiful daughter to her separated parents.

Liberty's life is filled with hikes, gazing at the night sky, campfires, and s'mores. And smeelings.
​
Smeelings are "smells that make feelings."
I'm sending a toasted gooey s'more with lots of smeelings to King. Thanks for this poignant portrayal of a young girl and her family coping with mental illness. Its a story that has found a home in my heart.

Reynolds has penned a novel comprised of interconnected stories. Read independently they are insightful vignettes, zeroing in on the ten city blocks students attending Lattimer Middle School traverse each day. Collectively the stories reveal the hearts of those bound together by geography. The lives of these unique individuals intersect in unexpected ways.

In the push and pull of everyday life, we meet students affected by life-altering events such as sickle cell anemia, cancer, dementia, incarceration, and gay-shaming.

These ten blocks are jam-packed with a rich assortment of sensory details.

​Charlotte Brontë Before Jane Eyre is an insightful and well-researched portrait of young Charlotte Brontë.

Following the death of her mother, Charlotte is sent, along with her three sisters, to an austere boarding school. Both of her of older sisters die from "consumption" and the two younger girls are withdrawn from the school.

The four surviving Brontë children remain at home, where their imaginations take flight as they create an elaborate world based on a set of toy soldiers. They call their fantasy world Glass Town. It becomes the basis for their early ventures into writing.

Eventually Charlotte and Emily return to school and prepare to become teachers. Both girls find the life of a teacher and governess to be distasteful. They want to write. Assuming constant care of young charges leaves no time for these accomplished siblings to pursue their passion for writing. They receive this advice: women cannot support themselves as authors.

Eventually the sisters determine that they will find a way to see their work in published form. All three women submit novels for consideration. Anne's Agnes Grey and Emily's Wuthering Heights are accepted. Charlotte's The Professor is rejected. Fortunately Charlotte receives this encouraging response: perhaps she might write another novel for consideration. She gets to work on a story set on the moors. The main character is neither wealthy nor glamorous. She has endured a painful childhood. Despite difficulties the heroine is determined to succeed. Her name is Jane Eyre.

Brontë writes, pouring her life and her heart into the work. When she is ready to submit her final clean copy of Jane Eyre she learns that if the publisher rejects the novel she must pay both sending and returning shipping fees. She risks a double payment if the novel is rejected. She decides to send the manuscript.

Fawkes line drawings and ink wash are an excellent medium for the pastoral British Isles ​setting.

Meet Glynnis Fawkes as she discusses two of her recent projects.

Emilia Rosa is juggling a plethora of problems. Let's start with family. Dad, a Marine who was deployed during most of of her childhood, returns home. He seems to be a different person from the father she remembers. Mami, who keeps Emilia focused and organized, will be away on an extended business trip. Abuela, her maternal grandmother has definite notions about Emilia’s life, including the need for a quinceañera. This is something she emphatically does not want.

Sixth grade is a struggle. Not because she isn't intelligent, but because she processes stimuli in a different way. She needs time and individual attention in order to complete her homework. Some school assignments are difficult to untangle without guidance from her mother.The noises associated with school rallies in the gym are a horrific assault on her senses.

It is a common occurrence for me to cry when I finish reading a book, it is uncommon for my heart to swell and tears begin to spill down my cheeks from the very first page. Sing a Song: "How Lift Every Voice and Sing" Inspired Generations had me instantly reaching for tissues.

Kelly Starling Lyons has penned a soul-stirring recital of the Black National Anthem's story. Inspired by her family's history, she traces the song through five generations. Beginning with a birthday celebration of Abraham Lincoln, the anthem is an integral part of the family. The music journeys with the family through the Great Migration, World War II, the Civil Rights Movement and culminates with opening of the National Museum of African American History.

Keith Mallett exquisitely captures the hope and resolve of individuals as they sing. A master of his craft, the images of these portraits of faith, determination, and joy are indelibly imprinted on my heart.

Both Sing a Song and  Going Down Home With Daddy, create a deep personal bond with readers. These are stories which nourish the soul.

When times are tough and faith gives only the thinnest glimmer of light, there is hope, there are heroes. Newbery Award-winner Kwame Alexander's poetry pays tribute to Black Americans who with determination, persistence, dignity, courage, and vision have survived and thrived.

The Undefeated honors some of the individuals, past and present, who embody the struggle to dream and achieve. Authors, artists, athletes, poets, politicians, Civil Rights leaders, and musicians are among those referenced through soaring verses which capture the dignity and grace of the human spirit. 
​Alexander also pays tribute to those who suffered, sacrificed, and lost their lives.

Two-time Caldecott Honor-winner Nelson's close-up portraits capture a spirit of quiet strength and determination.  The realistic style exudes countenances glowing with warmth and intelligence. Nelson uses a rich variety of skin tones and facial characteristics. Each an individual. Each unique.  The faces also portray joyful and proud moments. Eyes shining with tears. 

Jingwen, his younger brother Yanghao, and mother venture into the unknown, immigrating to Australia,  Mom works the night shift at a local bakery and Jingwen cares for his outgoing, impulsive younger sibling while she is away.
​It's hard. School is strange. He doesn’t understand what people are saying. Kids at school ignore him.  It’s like moving to Mars.

Relocation is exponentially difficult because his father is not with the family. Dad was killed in a car accident fourteen days before Jingwen’s birthday. This ten-year-old carries a heavy pocketful of resentment, guilt, and loneliness.

Have you picked up a book and without cracking it open, knew that it was going to be something extraordinary? That was my initial response to We Are the Change: Words of Inspiration from Civil Rights Leaders.
​The case features embossed lettering  and Dan Santat's illustration of a John Lewis quote.

Sixteen remarkable artists lend their talents to this project. Each illustrator selected a  a Civil Rights leader's inspirational words. Art is reflective of the message and unique to the artist's style.  Each illustrator's personal consideration of the quotation is included.  Images and text are compelling and profoundly moving. 

The volume, inspired by the work of the American Civil Liberties Union, echoes a commitment to human rights. Harry Belafonte offers a thoughtful introduction.

Barack Obama and "We are the change"

Looking for opportunities to be involved in meaningful change? Try this site.

Kat, skilled in the art of Brazilian jujitsu, is brutally assaulted in her school’s stairwell by a popular member of the basketball team. She escapes, but the incident has scarred her, leaving her wary of men and emotionally shattered. When she reports the assault, her attacker pleads a convincing defense, denying her accusation. School becomes unbearable due to the constant presence of her assailant as well as the questioning looks and snide remarks from fellow students. A family friend arranges for her to leave her California home and live with an understanding friend in Boston.

Robin, the adopted son of wealthy, well-connected Boston parents, is completing his high school senior year. His father plans his life trajectory beginning with a college education. Robin feels unsure and unsettled, with questions regarding his birth and subsequent adoption.

There is a lovely scene where the Asha House residents surprise one of the volunteers with a birthday cake. In turn, each girl feeds the honoree a piece of cake, while telling her something they admire about her. I like this tradition and will continue it by sharing some virtual bites of cake with Ms. Perkins.

​“People who are adoptive parents know that they aren’t a hero or a villain. They are just a parent.”

Mitali Perkins, mother of adopted twin brothers, shares her perspective on adoption and the adoption triad: birth mother, child, and adoptive parents. Read her Huffpost opinion piece and her recent interview with Lakshmi Gandhi in an NBC news report.