Like Scheherazade, ​Nayeri weaves a thousand and one tales into an opulent Persian tapestry: a story of mythology and memoir, of lineage and loss. A story that is as true as what you see with your own eyes and as real as what you cannot see.
The saga begins as a ten-year-old Iranian refugee stands up in an Oklahoma schoolroom and tells classmates his story, his history.
There are so many things going on in this narrative. Several pages are devoted to considerations of poop. It should not be surprising. This is not some esoteric philosophical treatise, although there are ample references to God and religion, anxiety and resilience, dignity and prejudice. At its core, it is a story of basic human needs. It's a story of survival. Nayeri lays bare his heart, his devotion to his mother, his complicated relationship with his father. It’s a guidebook for navigating a strange western culture and for methodically escaping the cruelty of others. It’s all of it. 

A middle grade tale that is funny, heartwarming and painfully honest. Daughter of immigrant parents, eleven-year-old Yumi Chung constantly feels parental pressure to excel academically.
Mom has decided that Yumi will spend her summer with tutoring sessions in preparation for the SSAT, Secondary School Admission Test. ​​​Yumi grudgingly heads off for morning test prep sessions combined with three hours of afternoon study at the library.
Then something amazing happens.
​She discovers a comedy club adjacent to the library.  YouTube sensation Jasmine Jasper is facilitating a comedy camp. Yumi succumbs to temptation and steps inside. She is mistaken for a camp registrant who failed to show. Here’s Yumi’s chance to shine. Performing using another identity frees her from stage fright. She is a success!

Late 1930's were perilous times in Europe. The Nazi party was ascending to power and invading surrounding nations.
Twelve-year-old Esther’s family are Polish Jews. They face a future filled with uncertainty and fear. Bravely Esther leaves her mother, siblings, and grandmother to join her father in Cuba. The plan: father and daughter will secure funds for the entire family to escape the dire conditions in their homeland and emigrate to Cuba.
Through a series of letters to her sister, Esther describes her life in this new country. Her correspondence is infused with sensory descriptions: luscious tropical fruit, beautiful countryside, eloquent Spanish language, and the poetry of José Matí. ​She tells of heartbreaking setbacks and small triumphs.
​Initially, the two earn money peddling religious statues in the predominantly Catholic villages. It seems an unusual thing: Jews selling religious statues. Sadly, this venture produces little income.

Siblings Sara and Emiliano Zapata are on the run, hoping to elude an international human trafficking cartel. Illegal continues their story which began with Disappeared. After leaving Juárez, Mexico, the two separately cross the Rio Grande River, hoping to outpace and outsmart the syndicate.
The story is told in the alternating voices of the brother and sister. Sara opts to legally request asylum as she believes that ample documentation will support her amnesty claim. Emiliano chooses to go underground, hiding in the back of a horse trailer to evade detection and eventually living in the basement of his father’s home in a Chicago suburb.
​​The two share an dangerous secret: a cell phone containing damning photographs and documents detailing human trafficking that originates in Mexico and extends into the United States. Sara entrusts the phone to her brother. Sara and Emiliano must protect this valuable piece of evidence without endangering one another.

Victoria Jamieson and Omar Mohamed's When Stars Are Scattered introduces readers to the reality of survival for displaced individuals, an existence filled with deprivation, uncertainty, and boredom.
Jamieson chronicles the childhood of Somali refugees Omar Mohamed and his younger brother Hassan.
​The narrative is based on Omar’s memories. He and Hassan escaped Somalia's civil war, lost contact with their parents, and were given shelter at a camp located in Kenya. Looked after by a kind woman, they subsist on meager rations and sleep in a tiny tent. Omar assumes responsibility for disabled brother's daily care. Life changes when a UN worker suggests that Omar attend a school organized for the camp's children. Education becomes his lifeline and an escape from the grim reality of camp life. Fifteen long years later, the two resettle in Arizona.

A comic book set in 1946 with 2020 sensibilities features the traditional superhero trope: Man of Steel versus an archenemy. Metropolis is plagued with a sinister influence. It’s up to the caped crusader with an assist from a couple of kids to defeat evil and protect the city’s citizens.
​Inspired by the 1940s Superman radio series “Clan of the Fiery Cross,” Gene Luen Yang chronicles a lesser-known aspect of bigotry and racism in American history: Chinese Americans targeted by white supremacists.
​​​The narrative has two plot threads. Alternating stories chronicle a Chinese American family's move from Chinatown to a new neighborhood. This is juxtaposed with the tale of a superhero arriving to earth from another planet. ​Both threads explore the plight of individuals who are perceived as different. ​Both are stories of immigrants. Stories of aliens.

Addition books featuring immigrants. The titles include a variety of immigrant experiences.
Some stories are memoirs, others offer fictionalized narratives. The assortment includes various formats: picture book, poetry, prose, and graphic novel. There are titles for elementary school, middle grade, and young adult audiences.
Sample several different titles for a deeper understanding of the immigrant story.

Omar Mohamed's initiative helps students in an African refugee camp succeed in school  Refugee Strong.

Inspiring stories from the people who have welcomed refugees. International Rescue Committee offers specific suggestions to support refugees.

A handsome volume of intertwined poetry, prose, and direct quotations honors Black History Month by using the February calendar format with twenty eight entries. Subjects include individuals, federal laws, and milestone events that have positively influenced United States’ Black history. A nod to Leap Year adds a twenty ninth entry that encourages readers to create their own significant moments in history.

A sample of Shane W. Evans' stunning art.

View the author, Charles R. Smith reading his book.

Siblings Sara and Emiliano Zapata are on the run, hoping to elude an international human trafficking cartel. Illegal continues their story which began with Disappeared. After leaving Juárez Mexico, the two separately cross the Rio Grande River, hoping to outpace and outsmart the syndicate.

The story is told in the alternating voices of the brother and sister. Sara opts to legally request asylum as she believes that ample documentation will support her amnesty claim. Emiliano chooses to go underground, hiding in the back of a horse trailer to evade detection and eventually living in the basement of his father’s home in a Chicago suburb.

An electrifying story that could easily have been ripped from today's headlines, this can't-put-down story of danger, intrigue, and corruption will keep readers rapidly turning pages. It's action and suspense to the max.
​While the book’s conclusion brings resolution to the immediate dangers facing Sara and Emiliano, there is obviously more to the story. Please Mr. Stork, don’t keep us waiting too long.

Through a series of letters to her sister, Esther describes her life in this new country. Her correspondence is infused with sensory descriptions: luscious tropical fruit, beautiful countryside, eloquent Spanish language, and the poetry of José Matí. ​She tells of heartbreaking setbacks and small triumphs.

​Like Scheherazade, Nayeri has a gift. He weaves a thousand and one tales into an opulent Persian tapestry: a story of mythology and memoir, of lineage and loss. A story that is as true as what you see with your own eyes and as real as what you cannot see.

The saga begins: a ten-year-old Iranian refugee stands up in an Oklahoma schoolroom and tells classmates his story, his history.

There are so many things going on in this narrative. Several pages are devoted to considerations of poop. It should not be surprising. This is not some esoteric philosophical treatise, although there are ample references to God and religion, anxiety and resilience, dignity and prejudice. At its core, it is a story of basic human needs. It's a story of survival. Nayeri lays bare his heart, his devotion to his mother, his complicated relationship with his father. It’s a guidebook for navigating a strange western culture and for methodically escaping the cruelty of others. It’s all of it.

​But it’s more. Inspired by the 1940s Superman radio series “Clan of the Fiery Cross,” Gene Luen Yang chronicles a lesser-known aspect of bigotry and racism in American history: Chinese Americans targeted by white supremacists.

​​​The narrative has two plot threads. Alternating stories chronicle a Chinese American family's move from Chinatown to a new neighborhood. This is juxtaposed with the tale of a superhero arriving to earth from another planet. ​Both threads explore the plight of individuals who are perceived as different. ​Both are stories of immigrants. Stories of aliens.

Dr Lee, his children Tommy and Roberta, and mandarin-speaking wife move from Chinatown to a suburban Metropolis home. Tommy is excited. He is quickly invited to play with the local youth baseball team. Roberta is apprehensive. She wonders if she will fit it and make new friends.
Sadly some people do not welcome the Lee family. They are subjected to subtle and overt racism. One night Tommy and Roberta watch in horror when hooded Klansmen chant “One Race! One Color! One Religion!" and burn a cross in their neighborhood.
Baseball teammate Chuck takes part in this cross burning. His uncle is the Klan’s Grand Scorpion. Chuck is uneasy about the Klan’s activities, yet wants to please his uncle.

Overture
A forest.
A tree. Felled
then shipped to a paper mill.
Tree fibers pressed together
then rolled into a sheet of paper.
Paper. Cut and folded.
Paper bag created.

Entr'acte
A boy enters a shop and purchases a flashlight. The shopkeeper places his purchase in a paper bag.
​The saga begins.

​The Author's Note is well-worth reading. It chronicles the true story of Henry's paper bag.  Readers will learn of Cole's lifelong interest in forests and protecting the earth.
Discover details about the author/artist of the eloquent wordless book in this Horn Book interview.

​I filled the bags with homemade chocolate chip cookies, a handful of individually wrapped Life Savers, and a friendly positive message.

A letter accompanied each bag  described Cole's glorious picture book and suggested ways to keep the bag circulating throughout my community. Instructions were: Refill the bag with perhaps a small treat, an encouraging message, a handmade card or any item that the intended recipient might enjoy.  Place the bag on the doorstep. Afterward send the recipients a text message, inviting them open the door and discover a surprise waiting at the front door. 

Allie Abraham works on blending in. A Circassian with reddish-blond hair and hazel eyes, it is easy for this sixteen-year-old cheerleader, academic standout, and school choir member to ignore her Muslim heritage. Allie's non-practicing Muslim father believes that this will protect her from discrimination.
However, Allie is drawn to the culture and religion of her grandmother. She wants to learn Arabic, study the Qur'an, begin a habit of regular prayer, and dress modestly. She meets with a group of forward-thinking Muslim young women who practice their faith in modern America. She's an All-American Muslim Girl.
Publicly acknowledging her heritage is a challenge. She hides her newfound interest in Islam from her father, walks a fine line with her boyfriend whose father is a well-known and bigoted news personality. She deals with classmates who mock her faith and other Muslims who condemn her for not being Muslim enough. What to do?

​This collection of short stories paints miniature portraits of an assemblage of Eid-al-Fitr celebrations. While the practice of faith varies within the Muslim community, each unique Eid observance is memorable.
The anthology contains lighthearted as well as poignant glimpses into the culminating observance of Ramadan with descriptions of private prayer, public celebrations, distinctive clothing, special food, and gifts. Readers meet a recent convert to Islam who fasts and samples spicy fare for the first time. For others Eid is bittersweet, reviewing celebrations from years past and remembering absent family members. ​ Some stories follow the journey to be with family: taking the subway to the Bronx or sitting in the car’s back seat with siblings while traveling to Sydney, Australia. I loved the descriptions of clothing: choosing to wear a hajib for the first time or fashioning a unique gown from a thrift store purchase.

A possible solution presents itself. Jude loves theater and movies. She learns that the school is staging a production of Beauty and the Beast. Summoning her courage, she auditions for a part in this fairy-tale musical. Can a girl from Syria can make it onto the stage in Ohio?

Victoria Jamieson and Omar Mohamed's When Stars Are Scattered introduces readers to the reality of survival for displaced individuals, an existence filled with deprivation, uncertainty, and boredom.

Jamieson is a masterful storyteller. She brilliantly describes her childhood interests in Roller Girl, a Newbery Honor Award book and All’s Faire in Middle School. Now she steps away from personal experience to chronicle the childhood of Somali refugees Omar Mohamed and his younger brother Hassan.

​The narrative is based on Omar’s memories. He and Hassan escaped Somalia's civil war, lost contact with their parents, and were given shelter at a camp located in Kenya. Looked after by a kind woman, they subsist on meager rations and sleep in a tiny tent. Omar assumes responsibility for disabled brother's daily care. Life changes when a UN worker suggests that Omar attend a school organized for the camp's children. Education becomes his lifeline and an escape from the grim reality of camp life. Fifteen long years later, the two resettle in Arizona.

Thirteen-year-old Julia keeps a deeply personal journal describing her life near the Mexico -United States border. Over the course of approximately two years she discloses her fears, her uncertainty, and the longings of her heart. Detailed lists and commentary reveal her life, her everything.
Living in Juárez with father, mother, and younger brother Willy, Julia’s life experiences a seismic shift when her father begins working for the mafia. She assumes that he is a courier. Suddenly the family has a new car, a new house, and many luxury items. But wealth has a downside.
Mamá is no longer her confidant. Her mother's primary objective is to protect and care for her husband. In an attempt ​to shield her children from the mob's influence and possible retribution, she sends Julia and Willy to live with family in El Paso: Aunt Tia, Cousin Jose, and their dementia- afflicted great grandmother.